Critic Reviews
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Viewers will be drawn into the main story in The Control Room. We hope, however, they’re not distracted by the piecemeal flashbacks that build the characters’ backstories.
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The performances of the leads redeem a lot of the slow pace and disjointed storytelling.
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What looks as if it will be a high-concept thriller in the style of Colin Farrell’s Phone Booth soon slumps under the weight of countless woozy flashbacks to Gabriel’s early years with Sam, his childhood friend.
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My main response to this thriller was irritation. ... The opaque flashbacks to their childhood hint at the nub of the mystery, but what it needs at this stage is less vagueness, more hard reveal.