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It's a twisty journey that starts as a grounded exploration of the Panopticon-esque paranoia of the British surveillance state. That it eventually becomes something convoluted and vaguely silly is a disappointment, but the six hour-long episodes at least kept me curious throughout.
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The question of what she has seen is the carrot that dangles before us, pulling us through the rest of an hour that without it would threaten to be very lacklustre indeed.
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A conspiracy thriller, this 2019 British import offers a whiplash-inducing premiere that goes from, “This is a ridiculous investigation that appears to lack a crime” to “How is that possible?”
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A newer element of our surveillance state, social media, is mentioned obligatorily but is barely explored. The Capture sucks the juice out of its pop-cultural reference points, failing to mine our current nightmares on its own terms.
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Dull and forgettable. ... Feels more Mad Libs than original, a little "Bodyguard," a little "Homeland," a little "Broadchurch" mixed together.
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