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Critic Reviews
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It looks like one of the better original offerings on any of the broadcast networks this summer.
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A meaty drama in the same vein as The Shield, where some of the police are perps and there's no telling who's on the up-and-up.
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People who like their stories wrapped up neatly in 44 minutes or so (yes, I'm looking at you, CBS viewers) may find this one a Bridge too far, but for anyone who likes their cops complicated and their plots twisted, there are worse ways to spend a Saturday night.
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The Bridge is pure melodrama, its villainous commanders and politicians practically twirling their mustaches as they plot their evil deeds. But if The Bridge won't expand your knowledge of urban-management science, it will keep you glued to the set.
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People who like their stories wrapped up neatly in 44 minutes or so (yes, I'm looking at you, CBS viewers) may find this one a Bridge too far, but for anyone who likes their cops complicated and their plots twisted, there are worse ways to spend a Saturday night.
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By no means a great show, The Bridge is at least a little bit different from most police procedurals.
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The series is in the "NYPD Blue" and "Southland" vein, trying for realism. It isn't in those shows' league, but it's a welcome change from the glossy triviality of other summer filler like "Rookie Blue" or "The Good Guys."
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Although overblown in message and action, The Bridge is well-performed and worth watching if only to see if it will stand by its thesis: that real change comes from people working together.
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While the execution isn't perfect and the first episode feels a little cluttered, it has at least two ideas that create interesting drama and could even stimulate a little thought.
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There are intriguing elements amid the clutter: Policeman Frank Leo (Aaron Douglas) is a beefy, moral man of the people who in the process of rallying the troops becomes a target for the police brass.
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The series is in the "NYPD Blue" and "Southland" vein, trying for realism. It isn't in those shows' league, but it's a welcome change from the glossy triviality of other summer filler like "Rookie Blue" or "The Good Guys."
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There's something intriguing about a summer show that is at once too complicated in storytelling and too simplistic in aesthetics to comfortably mesh with CBS' flashy procedural-stacked lineup.
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Another Canuck cop drama imported by CBS, The Bridge is (meager-praise alert!) better than Flashpoint. There's a nifty, Wire-esque exploration of police bureaucracy.
Awards & Rankings
User score distribution:
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Positive: 13 out of 17
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Mixed: 0 out of 17
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Negative: 4 out of 17
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Jul 15, 2013
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Aug 19, 2010
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Aug 17, 2010