Metascore
58

Mixed or average reviews - based on 11 Critic Reviews

Critic score distribution:
  1. Positive: 3 out of 11
  2. Negative: 1 out of 11

Critic Reviews

  1. Reviewed by: Lucy Mangan
    Apr 2, 2025
    60
    There is nothing very new to see in The Bondsman. How much you enjoy it will depend on how much you enjoy Kevin Bacon (laconic, hard-bitten Kevin Bacon, not Tremors Kevin Bacon and not Footloose Kevin Bacon), how much you enjoy tales of demonic possession in a small town in southern America and how much you enjoy the sound of partly severed heads, blown-out tracheas and bloodied fingers.
  2. Reviewed by: Angie Han
    Apr 1, 2025
    60
    To the uneven extent that Amazon’s The Bondsman works, it’s thanks primarily to Kevin Bacon’s effortlessly winning lead turn as Hub Halloran.
  3. Reviewed by: Benji Wilson
    Apr 1, 2025
    60
    There is a smattering of Appalachian lore, a barely-bothered with throughline about condemned souls and redemption, some quite good jokes and an awful lot of Bacon killing things. Something for everyone, then – if quite a lot for no one too.
  4. Reviewed by: Aidan Kelley
    Apr 1, 2025
    60
    When the show finally starts to stretch out of its comfort zone and begins setting up a horror comedy, it finds its own distinct identity. It's just unfortunate The Bondsman doesn't get to that point sooner.
  5. Reviewed by: Alison Herman
    Apr 3, 2025
    50
    “The Bondsman” starts strong, but before long, Hub’s vintage truck has run out of gas.
  6. Reviewed by: Nina Metz
    Apr 2, 2025
    50
    “The Bondsman” struggles to figure out what it even is. The obvious comparison would be something like “Buffy the Vampire Slayer,” but the show takes a long and winding road to nowhere instead. It’s a problem inherent to the ultra-short streaming seasons. The show’s genre and its episode order are at odds.
  7. Reviewed by: Clint Worthington
    Apr 1, 2025
    40
    “The Bondsman” lacks the kind of show-stopping character turns those shows gave folks (John Glover for the former, Tyler Labine and Ray Wise for the latter), opting instead for a sleepy, sloppy “Supernatural”-esque presentation that feels 20 years out of step.