User Score
4.9

Mixed or average reviews- based on 17 Ratings

User score distribution:
  1. Positive: 6 out of 17
  2. Negative: 5 out of 17

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User Reviews

  1. Feb 19, 2019
    0
    A blasphemy and abomination for any true fan of Hercule Poirot. Kenneth Branagh was awful in 'Murder on the Orient Express' but Malkovitch's performance here is a new low. He turned the delightful, and flamboyant Poirot into a dour, off-putting loner. How did Agatha Christe's estate allow this?
Metascore
58

Mixed or average reviews - based on 10 Critic Reviews

Critic score distribution:
  1. Positive: 4 out of 10
  2. Negative: 2 out of 10
  1. Reviewed by: Sophie Gilbert
    Feb 4, 2019
    30
    While everyone else is hamming it up playing monstrous psychopaths on an operatic scale, Malkovich wafts glumly from scene to scene, his facial expressions rarely more animated than someone trying to do long division in his head. ... It’s difficult to imagine what Phelps is trying to achieve by making her series so viscerally icky, and so intent on stirring things--and people--up.
  2. Reviewed by: Nick Schager
    Feb 1, 2019
    80
    Thanks to this engaging--and slyly timely--adaptation of Christie’s 1936 novel, it ably earns first-runner-up status. ... Poirot’s arrogance, of course, remains. Yet in Malkovich’s skillful hands, the detective is a more detached and interior genius, destabilized by his shaky professional standing and, also, by the long-ago catastrophe that made him who he is today.
  3. Reviewed by: Mike Hale
    Feb 1, 2019
    40
    The ABC Murders is Phelps’s most thorough teardown yet, and this time she’s so suffocatingly revisionist that what’s left isn’t really Christie at all. The insistence on making everything grimmer and grosser is almost comically complete. ... Phelps is so focused on her combination of chic malaise and sensationalism that she doesn’t give the actors anything human to play, or anything witty to play with.