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Critic Reviews
- Critic score
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It makes for lively drama, with sharply defined conflicts and characters who aren’t always all good or all evil. Naturally, there are also interludes for romance and mean girls and obnoxious hot-body guys.
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Cusick has done this role before so often, he might even be mixing and matching scripts. Washington looks so bored, he might nod off. The 100? If we’re marking days on a calendar, that’s being optimistic.
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As The 100 goes along, you can feel it becoming more and more the show that Rothenberg and his writers want it to be, but it sure starts off at a great distance from from that destination. And even as it gets closer, there are still too many moments of mind-numbing illogic.
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If you don’t think too much about details and leaps in logic, The 100 moves forward swiftly. But the characters seem stuck in place, with one foot placed firmly in central casting. They’re bland, no ish about it.
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A predictable mix of violence, sex and sentimentalism.
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The character complexities, special effects and attention to detail position The 100 well on the CW food chain.
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The fate of the kids on the ground is closely bound with the fate of the people in orbit, and vice versa. But it is hard to care about the people in orbit, as seriously as you're asked to take their predicaments and sacrifices. And it is not much easier to care about the people on Earth.
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The 100 has a lot of interesting things to play with in terms of its narrative and world-building, but it chooses to gloss over them.
Awards & Rankings
User score distribution:
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Positive: 437 out of 652
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Mixed: 65 out of 652
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Negative: 150 out of 652
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Mar 19, 2014
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May 9, 2014
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Mar 24, 2014