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Critic Reviews
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Four seasons in and O’Malley, his writers, directors and cast, are keeping things fresh, new and required viewing for anyone who likes comedy with brains.
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Each related subplot plays out over the course of the first three episodes of season 4, finding three of the show’s characters grappling with existential crises. And as their stories progress, O’Malley, who penned the first two episodes, and fellow producers Luther M. Mace and Paul Oakley Stoval exercise the show’s ability to solidly walk a fine line between aching tragedy and dark, legitimately funny slapstick.
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One of TV's sharpest and most provocative comedies.
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The show doesn’t always hit the very narrow tonal target it’s aiming for, but when it does, it’s both intensely satisfying and feels like nothing else on TV.