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Critic Reviews
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Very watchable but totally missable: not urgent, not escapist, and not even the best premium cable show about hugely entertaining rich people. ... But the show is not quite scathing or indicting enough to bring a sense of urgency to its study of the super-rich.
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In comparison to [FX's Trust], “Succession” doesn’t hold up. It doesn’t have the same production values or theatricality. This is “Dynasty” without the costumes, “Arrested Development” without the overt comedy.
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The balance shifts away from satire and toward drama as the season progresses. ... It’s an uneasy combination, and while the two sides of the show’s split personality are executed well--the creator is Jesse Armstrong, who worked on the great British comedy “The Thick of It”--they don’t amplify or enrich each other in the way that was presumably intended. You can sense both sides being reined in, especially the satire, which can’t go for broke in this context.
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A slick but often hollow vehicle. [28 May - 10 Jun 2018, p.17]
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Succession makes it clear that the Roys are not especially nice people. They are also, alas, not especially fascinating. Pink slips for everyone.
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At first engaging, then slowly, inexorably, Succession turns into work.
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The actors all got different memos. ... Succession is some kind of success, if the point is to prove the Murdochs are boring as hell. [1/8 Jun 2018, p.78]
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Underwhelming in both execution and intent. ... Its occasional attempts at wryness result in a choking dryness, with the only levity coming from the arrival of a green and gullible cousin, Greg (Nicholas Braun), who attempts to ingratiate his way into this inner circle of snakes. The overall tone of cruelty is difficult to overcome.
Awards & Rankings
User score distribution:
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Positive: 89 out of 111
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Mixed: 16 out of 111
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Negative: 6 out of 111
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Jul 3, 2018
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Jun 5, 2018
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Aug 5, 2018