- Network: CBS , CBS All Access , Paramount+
- Series Premiere Date: Sep 24, 2017
User Score
Mixed or average reviews- based on 1324 Ratings
User score distribution:
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Positive: 527 out of 1324
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Mixed: 158 out of 1324
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Negative: 639 out of 1324
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User Reviews
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Sep 27, 2017
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Sep 24, 2017This review contains spoilers, click expand to view.
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Sep 25, 2017Meh... Just a bland show, yet a HORRIBLE STAR TREK! Definitely not worth a subscription to CBS as of yet. Though there is some hope they could do better.... Maybe?
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Sep 25, 2017
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Sep 25, 2017Bridge scenes and crew interaction is like watching Federations next top model. SJW's have stolen the franchise. Klingons have been further de-humanized, wich offcourse makes sense, because they do not fit in the inclusivity of the Rainbow unicorn federation.
It looks good. Although i have to get used to all this fancy CGI **** for this series title. -
Jan 9, 2018
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Feb 17, 2018This review contains spoilers, click expand to view.
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Feb 13, 2018
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Feb 13, 2018This review contains spoilers, click expand to view.
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Oct 24, 2017
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Oct 17, 2017
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Oct 4, 2017It has its moments, mostly due to the visuals they invested in (except the intro, which is completely out of place), but overall it's an incoherent, self-important, cliche-ridden and overly violent mess so far. I'm definitely enjoying The Orville more right now, but I'll still follow this along for another while, just because of the title.
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Dec 2, 2017The Asian captain should stay and be the star. The black captain and science officer are
Terrible actors. Very poor and unbelievable to me. It’s like a poor mans version of Star Trek. -
Oct 28, 2017I watched four episodes before throwing in the towel. Poorly written and not a single likeable character. Bravo you bunch of cretins. Watch The Orville instead.
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Sep 30, 2017
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Jan 16, 2018
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Nov 3, 2017
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Oct 24, 2017
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Jan 19, 2018My problem with this show are the main characters... acting is wooden , they have no charisma, they are boring to death. I watched 6 episodes and i couldn't watch anymore.
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Sep 26, 2017
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Oct 14, 2017
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Oct 16, 2017
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Oct 7, 2017This review contains spoilers, click expand to view.
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Oct 13, 2017After watching 3 episodes, it's MEH! for me. I'm not impressed with the JJ Abrams style visuals because the rest of the show is forgettable. Forgettable characters, forgettable story. Just boring. If you want Star Trek, watch The Orville. If you loved the JJ Abrams movies, then you will probably love this.
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Oct 21, 2017
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Sep 27, 2017
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Nov 7, 2017i ..... really ........ do ........ not ........... like ........... klingon.............. scnes.......... with ........subtitles....... it ......... is .........slow.........and.........boring!
I lately skip the klingon scenes as they bore me to hell. -
Sep 27, 2017
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Nov 8, 2017Strong production and performances by the cast are handcuffed by the mediocre stories and plots. The cast seems to know how to have fun, but the fundamental tools to move the story along are flawed, prompting the audience to think, well, why didn't they just do these 4 things instead to keep the crew of the Discovery out of trouble?
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Sep 25, 2017Poor (and wooden) writing. A horrible bridge layout. Badly delivered lines (i.e., bad acting). Weak story, at least, as introduced in the first episode. Doesn't feel like Star Trek at all. If it wasn't called "Star Trek," I'd have turned it off fifteen minutes in. Sad.
Awards & Rankings
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Discovery feels like it’s adrift between the adventure-of-the-week format of its network-TV predecessors and the kind of complex serial favored by cable and streaming.
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Star Trek: Discovery feels like it's just finding its footing. On the promising side, Doug Jones is already a standout as Science Officer Lt. Saru, who's from an alien race called Kelpiens. And James Frain is perfectly cast as Sarek, the Vulcan who veteran "Trek" fans know as the father of Spock. The relationship between Burnham and Sarek is one of the more intriguing aspects of Star Trek: Discovery.
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Happily Star Trek: Discovery strikes a balance between what diehard Trekkies love about Roddenberry’s universe and what J.J. Abrams injected into its theatrical resurrection. Ethical dilemmas and a clash between cultures and traditions comprise the fore of the narrative, but the hours don’t skimp on phaser blasts and broadcast-appropriate carnage.