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Critic Reviews
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Most of the time, it's... pretty gripping.
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If one is looking for a TV drama that earnestly tries to reflect and speak to our lives and times, it would be hard to do better than Sleeper Cell.
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Despite the mostly awful dialogue, “Sleeper Cell” succeeds on the strength of its plot.
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All of Sleeper Cell's didacticism would be forgiven if it were more entertaining. [2 Dec 2005, p.67]
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Despite laudable elements -- particularly the magnetic Oded Fehr as the cell leader -- [the] series is too uneven to dub this ambitious mission a complete success.
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Fehr's performance is worth noting, if only because his cool demeanor is frighteningly at odds with the insane rhetoric pouring out of his mouth. His portrayal may be the show's greatest point of interest -- that is, if you aren't annoyed by Shields, or hypnotized into a slumber by Ealy's never-ending "haunted past" routine.
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Sleeper Cell moves way too slowly to get anyone's pulse racing—except maybe the Arab American community, which will almost certainly protest, despite the writers' awkward attempts to give equal screen time to "good" and "bad" Muslims.
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Sleeper Cell tries laudably to entertain us and to complicate us simultaneously. But we also experience the Stockholm syndrome in reverse. The more time we spend with these people, the less we care about them.
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For all its putative complexity, then, its passing examination of radical Islam versus peaceable Islam, its allusions to Guantanamo Bay and the Iraq insurgency, "Sleeper Cell" feels more like "The Shield," the L.A.-based cop drama on FX, the characters talking in overly stylized, expository quips, the L.A. cityscape whipping past in convincing fashion.
Awards & Rankings
User score distribution:
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Positive: 44 out of 57
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Mixed: 4 out of 57
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Negative: 9 out of 57
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Dec 7, 2014
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Apr 15, 2012
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DQSJul 20, 2007