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In season 2 of PBS's richly clever Sherlock, the Victorian tales have been refitted to our century. [14 May 2012, p.44]
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Sherlock is a wonderful series. Just thinking about it makes me smile.
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Sherlock strikes a perfect--and delicious--balance among comedy, pathos, murder, and mystery.
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Most of the time Sherlock's cheeky sense of humor makes this version of the character a delight.
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Sherlock is an elegant updating of Conan Doyle's stories, not an overhaul.
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Ultimately, Sherlock doesn't play fair, but the game is so enjoyable, you'll be happy you joined in.
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Sometimes this focus on technology feels a bit heavy-handed, but in general this is a series that seems to be growing more assured as it goes along.
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The fun is in the snappy dialogue and the impeccable actors delivering it.
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Sherlock weds the old and new in much the way Holmes solves his cases--making a complicated process look almost effortless.
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The case [A Scandal in Belgravia] is much more complicated than that [photos involving a member of the British family] of course, so much more that it, as with the episodes that follow, occasionally threatens to collapse under its own writhing weight. Fortunately, the thrill of Sherlock Holmes was never so much plot as character.
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This year, once again, Benedict Cumberbatch's modern-day Holmes and his intrepid sidekick Dr. John Watson (Martin Freeman) provide breathtaking non-stop exhilaration.
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Each week, the series takes on a Holmes classic, updates it, turns it on its ear and leaves you breathless.
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It's no mean feat, either, to follow three highly entertaining reinventions of stories involving one of literature's most adapted characters with three more even better than the first. But it must not be impossible, because Sherlock has done it.
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This Holmes update's second season continues to be both clever and classic.
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Sherlock, which impresses again in the three-episode season that returns on PBS.
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Three scintillating new Sherlock brain-teasers.
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This is TV pleasure at its most intense, without even a shade of guilt.
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Intricate plots (many updated versions of old favorites), fast pacing and smart, witty writing make Sherlock one of the most dazzling confections on TV.
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Sherlock is too often a petulant know-it-all, which grows tiresome and makes a viewer painfully aware that each episode is 90 minutes long.... Sherlock's redundancies are improved by a couple of longer story arcs.
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The beauty of this series is that it's so entertaining and so well-executed.
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This season's three installments--"Scandal in Bohemia" is followed by a scary "The Hounds of Baskerville" and "The Reichenbach Fall" in which nemesis Moriarty (Andrew Scott) returns--make a pleasingly diverse set.
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Stick with it, and this Sherlock proves to be a fun and exhilarating TV experience.
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Sherlock is an electric marriage of great writing with great performances.
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The new season pops with all the visual energy of the first. [4 May 2012, p.67]
Awards & Rankings
User score distribution:
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Positive: 813 out of 870
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Mixed: 25 out of 870
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Negative: 32 out of 870
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May 8, 2012
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May 7, 2012
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May 8, 2012This review contains spoilers, click full review link to view.