• Network: Netflix
  • Series Premiere Date: Apr 23, 2021
Season #: 2, 1
Metascore
68

Generally favorable reviews - based on 22 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 22
  2. Negative: 0 out of 22
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Critic Reviews

  1. Reviewed by: Liz Shannon Miller
    Apr 21, 2021
    91
    That's the real magic trick a show like this has to pull off — creating a universe that feels fresh to newcomers, without alienating them or feeling too confusing. Like so many things in life, the key ingredient turns out to be the people involved. And in the case of both the fictional characters and the cast and crew, the people of Shadow and Bone deliver.
  2. Reviewed by: Meghan O'Keefe
    Apr 21, 2021
    90
    Shadow and Bone delivers pure escapism with timely social commentary and good old fashioned soapy storytelling. It is the next big fantasy sensation. ... This show is extremely dense. ... For Grishaverse virgins, Shadow and Bone could prove to be overwhelming.
  3. Reviewed by: Tara Bennett
    Apr 21, 2021
    90
    It lands across the board with its production value, tone, visual effects, and engaging characters, culminating in an exhilarating season finale which all points to a potential large-scale hit. Of particular success is how well Heisserer and his writers set up the required mythology in eight episodes without being exhausting, all the while deftly laying their emotional foundation: the bond between Alina and Mal.
  4. Reviewed by: Andrea Reiher
    Apr 21, 2021
    90
    It is the rich cast of characters and excellent world-building that make Shadow and Bone worth sticking with after a bit of a slow start that's admittedly due to the ambition of the project.
  5. Reviewed by: Petrana Radulovic
    May 8, 2021
    85
    Though it’s full of worldbuilding lore that might hinder newcomers, Shadow and Bone is the best sort of adaptation for longtime fans: one that might just possibly be better than the source material.
  6. Reviewed by: Steve Greene
    Apr 23, 2021
    83
    The success of “Shadow and Bone” Season 1 is that it works so effectively as the first installment of a potential trilogy. By the end, as the show is addressing ideas of hypermilitarization, class stratification, and the fraught nature of prophecy, it’s apparent that there’s more going on inside this season than is readily available on the surface. Here’s hoping there’s a chance for even more to shine through.
  7. Reviewed by: Laura Bradley
    Apr 23, 2021
    80
    As vaguely sketched as its world remains by the end of this season, its characters leap right off the page—and their stories seem guaranteed to leave viewers, non-readers and Grisha obsessives alike, eager for more.
  8. Reviewed by: Roxana Hadadi
    Apr 23, 2021
    80
    The performances are steady, the episodes well-paced, and the dialogue, outside of all the world-building jargon, is sharply composed. Altogether, “Shadow and Bone” maintains a sense of interior place for the characters dealing with plot developments as varied as mean girl dynamics, geopolitical posturing, and body horror, and the well-balanced nature of this first season makes for a promising introduction into this franchise’s fantastical universe.
  9. Reviewed by: Ed Power
    Apr 21, 2021
    80
    Shadow and Bone is good clean fun with a vengeance (with the potential exception of a coyly-shot gay sex scene). Those who watched Game of Thrones for the nudity and cruelty may find it lacking that spicy kick, but this is fantasy with heart, a towering imagination and a genuine new take on the genre. It could be a real phenomenon for Netflix.
  10. Reviewed by: Caroline Framke
    Apr 21, 2021
    80
    For the most part, though, “Shadow and Bone” doesn’t bite off more than it can chew, focusing its energy on fleshing out its characters and universe in a way that could sustain it beyond any single book. ... Li’s Alina, a heroine as believably vulnerable as she is bold. Should Netflix give its “Shadow and Bone” enough time beyond this installment to unravel its many tangled threads, there’s little doubt that this version of Alina can sustain it.
  11. Reviewed by: Danette Chavez
    Apr 23, 2021
    75
    Shadow And Bone is an engrossing experience, if not an especially novel one. The series plays a bit with our expectations of the genre, including the makings of a hero and of redemption. But even when we can see the turn, it’s no less riveting. That might be its greatest trick.
  12. Reviewed by: Kelly Lawler
    Apr 23, 2021
    63
    As "Shadow" unfolds, it's frustrating to see the rushed and haphazard way in which the world is built and the characters are introduced. Every bit of exposition feels incomplete. I can see the holes in the plots and characterization, and my knowledge of the books easily fills them in. But summer reading can't be required for a TV show. It's not until midway through the season that things start to fall into place for novice viewers.
  13. Reviewed by: Huw Fullerton
    Dec 2, 2021
    60
    The action and characterisation feels less convincing than it did in the simpler, less sprawling book story, almost like the rush to expand the story left it contracted in the ways that really matter.
  14. Reviewed by: Ben Travis
    Sep 20, 2021
    60
    Some elements are overly familiar and others overly confusing, but Shadow And Bone will draw you into the Fold with its absorbing world-building and engaging lead duo.
  15. 60
    For every line intended to clarify how it all works, Shadow and Bone seems to accidentally do the opposite. ... Eventually, when all, or at least most, of the characters come together in various formations late in the series, Shadow and Bone’s design does make some sense. ... Shadow and Bone is at its best when it is small and fun, which is what does eventually happen with the Kaz story, or when it’s big and clear.
  16. Reviewed by: Ed Cumming
    Apr 21, 2021
    60
    Overall, Shadow and Bone leaves you with the unusual impression that the weaknesses in the TV version might be more to do with the source material than the treatment. Between the silly names and mythology, this is a thorough, detailed production, with crisp special effects and likeable lead performances from a diverse bunch. We get glimpses of several interesting characters, but on the whole, they are relegated in favour of the main tale.
  17. Reviewed by: Tom Long
    Apr 26, 2021
    58
    Complications ensue, super powers are wielded, all as you’d expect. Actors keep straight faces despite the silliness (possibly a real superpower) and the show maintains a young adult sheen. It flows by, which is all it intends to do.
  18. Reviewed by: Brian Lowry
    Apr 23, 2021
    55
    Add Shadow and Bone to the long list of efforts to establish new fantasy series in the post-"Game of Thrones" era, in this case with a fairly generic tale of a war-riven world and a young woman who learns she has spectacular powers and an epic destiny. As constructed it makes for a moderately watchable binge once you've committed, but no great loss if you don't.
  19. Reviewed by: Steven Scaife
    Apr 26, 2021
    50
    In the end, the show feels even less ambitious than The Witcher, but like that other Netflix fantasy series, it at least progresses at a fairly brisk pace.
  20. Reviewed by: Daniel Fienberg
    Apr 21, 2021
    50
    The eight-episode first season definitely feels like it's a smushing of two not-particularly-synchronous books, resulting in some desired Game of Thrones epic scope at the expense of one story's full emotional momentum and the other's sense of fun.
  21. Reviewed by: Brian Tallerico
    Apr 21, 2021
    42
    After a reasonably strong start, “Shadow and Bone” gets weighed down by so many Netflix Original fantasy show clichés that it sinks into the Fold itself.
  22. Apr 26, 2021
    40
    Shadow and Bone fails to deliver any of the charm and emotional engagement of a Game of Thrones (when that show was at its best), or even a Winx Saga (which is objectively terrible, but in an enjoyably ridiculous way). Again and again, Shadow and Bone forces unearned story beats and melodrama. Its character-building is lackluster; its worldbuilding is mostly incoherent, and its script careens from one-liner to one-liner without much substance in between — all while the weak writing torpedos the efforts of its talented cast.
User Score
7.2

Generally favorable reviews- based on 84 Ratings

User score distribution:
  1. Positive: 58 out of 84
  2. Negative: 16 out of 84
  1. Apr 25, 2021
    3
    Nice costumes and overall pleasing art direction, predictable story, unconvincing characters and character motivation. Horrible soundNice costumes and overall pleasing art direction, predictable story, unconvincing characters and character motivation. Horrible sound balancing, be prepared to adjust the volume a lot. The two rivaling forces of magic in this show are Grisha-magic and plot armor, and plot armor always wins. Full Review »
  2. Apr 24, 2021
    1
    Garbage screen writing and direction, not helped by the offensive amount of exposition.
  3. Apr 25, 2021
    0
    This review contains spoilers, click full review link to view. A great cast with great acting spoiled by piss poor writing, inexplicable character choices, and an offensive reliance on exposition. Most of the characters are written to have a troubled past but come across as whiny, insufferable wimps who make idiotic decisions. There is more justified decision making and reasoning in low-budget horror movie characters. Every action is winged, but has an outcome as if it were meticulously planned, like every single character expects a Deus Ex Machina.

    Alina does nothing but whine and pine for Mal for the first 7 episodes. Her character is so enveloped with feelings for him, she's portrayed as empty and shallow without them. We know literally nothing about her other than she was an orphan, they grew up and went through hardships (some bullying, and -very- vague racism). That's it. That's the entire composition of the main character. When she obtains her powers, she doesn't care at all about using them to destroy the rift. The presumably hundreds of thousands of soldiers and people in the country who died because of the wars aren't incentive enough - all she cares about is Mal. There is nothing else to her character. She's 'The One' but a sulking, woman-child who seems not to have been toughened at all by her upbringing. She's a porcelain shell of a character.

    Inej carries 30 knives but inexplicably seems never to have killed anyone before, judging by her reaction to killing a single Grisha to defend her friend. Why would a thief and implied assassin have never killed anyone and have such a bitter reaction? This is made even more confusing when two episodes later, she knows exactly how to bleed a Grisha to death without batting an eyelash.

    The Grisha are supposed to be worth 10-50 regular soldiers (depending on who you ask) but are instantaneously overwhelmed and slaughtered - every - single - time - they get into combat. Doubly so when they encounter the trio of miscreants (with plot armour) who we're barely told anything about - the speed that they're to dispatch the Grisha at is laughable. What's the point in being trained as what is essentially a battle mage from puberty to adulthood when all it takes is a handful conveniently placed barbarians to render you entirely impotent.

    Then there's the blatant shoehorning in of current year social commentary. It's apparently easier to get laid in Ravka as a gay man than a straight one, you can just pick a random stable boy you like the look of, and voila - luckily he's gay and eager. This could have been used to flesh out Jesper's character instead of "hurr durr, he gay, gay people get insta-sex". I'm almost angry that writers are so utterly incapable of making a fleshed out gay character.

    Ravka, a nation that's been isolated through hundreds of years of wars and infighting, has more diversity than London, but people are still apparently racist. The reliance of generations of being bred to defend the nation has done literally nothing for comradery, apparently.

    Then there's obviously the misogynistic Fjerdians who must be chastised verbally for 3 straight minutes because they aren't lewd or let their women fight in the war. I mean, it's basically barbaric how they treat their women so it must be worth mentioning, right, current year audience?

    With the budget this series had, it could have been a better Game of Thrones. It's not. The story as written in the books is rich and beautiful but the writers chose instead to do away with all of that in order to make sure 'current year' hot topics are smattered about, be inexplicably vague about every single characters' backstory when they have such rich ones.

    Genuinely struggled to sit through all 8 episodes.
    Full Review »