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Season two quickly confirms, in the first four episodes, that Leary has found out what everyone does best from the growth seen last season. Hendrix gets a major storyline that continues her character's evolution.
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SDRR places itself in the awkward position of having created--when you fold in John Corbett’s Flash--some likable characters (well, maybe not Johnny, but that’s the way Leary likes it; he’s a preening antihero to the end) who remain in search of the right vehicle to take them to another level of excellence.
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S&D&R&R don’t bring me anything but down.
User score distribution:
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Positive: 56 out of 61
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Mixed: 0 out of 61
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Negative: 5 out of 61
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Jul 1, 2016
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Aug 3, 2016
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Jul 2, 2016