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Where there are plenty of sweet moments and a continuation of the surreal commentary on faceless megacorporations, meaningless jobs, and out-of-whack work-life balance, showrunner Dan Erickson is overly focused on long shots of Severance’s bleak world or clumsily building up its villains.
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It feels churlish to criticize one for trying to do as much as this season of “Severance” is attempting, but it’s a balance and the scales are out of whack enough that I too often questioned why I should care – a feeling I never had in season one. It’s also a show that’s a bit too in love with its pregnant pauses, calling awareness to its “heavy ideas” instead of weaving them into the fabric of the show.
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The second season seems to pull back from such bleakness, losing itself in abstract ethical conundrums and rote emotional ones. It’s far from a dissection of work and life as we know them; the incisions are only skin deep.
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