Critic Reviews
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The series flips between confused sincerity and all-out sex farce making for a glossy puddle of a show, seemingly unwilling to admit its own quite joyful lack of depth. If only the Disney bosses had been brave enough to open the stable door, Rivals might have been able to run to the trashy paddock wherein it clearly longs to frolick.
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Rivals has a keen eye for subtle class distinctions and the way they etch tiny fracture lines through a close-knit community. It’s just frustrating that only some of the characters on the show feel like three-dimensional people, while others (most notably Nafessa Williams’ American producer Cameron Cook) feel like paper-thin soap-opera archetypes.
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