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Critic Reviews
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It's not as atmospheric and artful, nor does it exude the same visceral sense of place [as French series "Les Revenants"]. But taken on its own, it is an absorbing, well-paced, thoughtfully rendered production with a quality cast that ranks as one of the better new winter shows.
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[A] smartly ordered, sizzling drama, which establishes itself from the opening scene and builds from there.
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The ABC show is more blandly cast and written [thanrench import "The Returned"], but it's still capable on occasion of hitting you in the gut emotionally, if not scrambling your brains.
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Resurrection does something few dramas do today — it gives its characters breathing room to absorb and react to the fantastic in their lives, rather than forcing them to run from one plot point to another. Some will find this pace too leisurely.
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Yes, this is all very familiar--Sundance's "The Returned" was better, by the way--but there are still solid hints of an engaging series.
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Handled correctly, this has “Lost” potential.
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If less spookily atmospheric than SundanceTV's not-dissimilar The Returned, Resurrection handsomely frames its "What the hell?" premise. [7 Mar 2014, p.62]
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It's a sentimental show to be sure but it's almost refreshingly straightforward in its sentimentality and there's something heartbreaking in the performances of Kurtwood Smith and Frances Fisher as a couple who lost their son 30 years ago but now have to deal with his return.
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Resurrection subverts expectations by sidestepping the creepy and macabre--although there are layers of mysteries and secrets in the small town of Arcadia, Missouri--and dwelling in a more bucolic and even tear-jerking manner on the spiritual and societal ramifications of this apparent miracle.
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It’s sometimes gripping, the acting is good, and for many it will seem fresh.
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A solid yet initially disturbing new drama.
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If Resurrection fulfills even half its potential, it could easily become the most compelling drama on an ABC lineup that has become almost comically soapy.
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Resurrection is the tamer American version [of "The Returned"].
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The first two episodes flex a fair amount of pulling power, even though nothing really jumps off the page. The series could use a more galvanizing, take-charge sleuth than Epps portrays.
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When Resurrection focuses on Jacob and his family, the actors and the concept carry it. But hours must be filled, and the more the show expands to include other Arcadians, most of whom are tiresome, the weaker it becomes.
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Bogged down by mundane subplots and generic characters, it lacks the atmosphere, tension and emotional pull that defined Sundance Channel’s recent “zombie” show, “The Returned.”
Awards & Rankings
User score distribution:
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Positive: 65 out of 94
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Mixed: 15 out of 94
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Negative: 14 out of 94
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Mar 11, 2014
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Mar 26, 2014
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Apr 14, 2014