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CRITIC SCORE DISTRIBUTION | ||
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Positive:
19
Mixed:
6
Negative:
0
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Critic Reviews
IndieWireOct 9, 2015
Season 1 Review:
Series creators Jacobs and Gangemi infuse a delightfully surprising air to each episode, throwing in '80s hallmarks like outrageous side characters, apt musical numbers, sex, drugs and even a body-swap episode. Nostalgic older viewers should be in heaven as they flash back to the best of their heyday, while young binge watchers will still identify with the universal themes of growing up.
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IndieWireOct 20, 2017
Season 3 Review:
This extended epilogue isn’t particularly urgent, nor hysterically funny. But it remains galvanizing, as the honesty and maturity that made the series beloved by its small fandom persists, and those who’ve gone this far should take pleasure in seeing how things turn out for the dreamers, the boomers, and everyone looking for solace in this long, quick life of ours.
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Oct 8, 2015
Oct 5, 2015
Season 1 Review:
At its worst, it's hard to tell if Red Oaks is a clever satire of dumb, fun sex comedies or just a dumb, fun sex comedy itself. But Alexandra Socha ... gives me hope that the show is something smarter. [9 Oct 2015]
Nov 11, 2016
Season 2 Review:
Oaks remains assiduously small-scale, and that only works toward its charm. (Compared with ABC’s blasting ’80s sitcom The Goldbergs, Red Oaks is a masterpiece of low-key discretion.) The pacing is sometimes tediously slow, but for the most part, Oaks is cozily welcoming.
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Oct 8, 2015
Season 1 Review:
The show is a little motley, owing to a willingness to play with style and to give its directors room to move, and the plotting can feel a little methodical when contrasted with a greater urge to let character emerge and deepen gradually. You're never completely unaware of the artifice, but the series feels very alive nevertheless, as it moves in and out of the tropes, embracing some, avoiding others.
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Oct 7, 2015
Season 1 Review:
It's occasionally a bit disappointing that with five hours to tell their coming-of-age tale, creators Joe Gangemi and Gregory Jacobs still have trouble servicing all of their characters and justifying their very conventional arc. But the affection for the genre and for the period still carry the day.
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