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The show itself feels increasingly conservative. It’s a cosy family drama, offering up neat lessons, unfailing optimism and traditional signifiers of success, such as expensive apartments and glossy social lives. That sentimental and aspirational sheen might well offer radical hope to those who have been excluded from society, and from our stories. But it turns a drama into a victory parade.
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There's a lot of love, but a lot less compelling storytelling. At least showrunner Steven Canals has finally pared down the series to its most interesting characters: the parental figures. ... It's hard to begrudge these opulent happy endings to a marginalized group whose real-life counterparts met such tragically violent and premature deaths, but there's also something nigglingly inorganic (if not boringly bougie) about their five-star happily-ever-afters.
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