• Network: HULU
  • Series Premiere Date: May 31, 2022
Metascore
60

Mixed or average reviews - based on 28 Critic Reviews

Critic score distribution:
  1. Positive: 11 out of 28
  2. Negative: 0 out of 28
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Critic Reviews

  1. Reviewed by: Nate Richard
    May 31, 2022
    83
    While some former band members may be unhappy with Pistol, it is likely for the better. The style and flair is still there, but there is a hidden honesty to the series that makes it worthy of viewing and one that even non-fans of the Sex Pistols could enjoy.
  2. Reviewed by: Johnny Loftus
    Jun 1, 2022
    80
    Pistol is a fun watch, rife with visual flourishes and emboldened by a strong cast on top of its otherwise by-the-book music biopic boilerplate.
  3. Reviewed by: Nick Schager
    May 31, 2022
    80
    Theirs is a portrait of a battering-ram phenomenon that was successfully designed to destroy, and whether one likes the Sex Pistols or not, Pistol captures their insurgency with exuberant personality, formal ingenuity, and raw power.
  4. Reviewed by: Rob Owen
    May 27, 2022
    80
    There’s loads of great music on the soundtrack that’s representative of the era (not just by The Sex Pistols) that’s matched by Boyle’s shooting style that embraces the period in an off-kilter, slightly chaotic manner.
  5. Reviewed by: Beth Webb
    May 23, 2022
    80
    Danny Boyle’s sensibilities come out in full force for this serrated slice of music history. The performances vary in strength — but the collective scrappy energy of the ensemble under the director’s guidance is undeniable.
  6. Reviewed by: Richard Roeper
    Jun 1, 2022
    75
    This is Punk Rock 101, designed to widen the audience tent to include viewers whose knowledge of the Sex Pistols is relatively limited. For all the frantic pacing and visual flourishes, for all the rebellious chaos depicted here, “Pistol” is a downright respectable telling of the tale.
  7. Reviewed by: Shane Ryan
    May 31, 2022
    75
    It was so engaging, at times, that my own critical brain was left behind in the excitement. If the visceral thrill wears off a little too quickly, and leaves you pondering the question of “what’s missing here?”, that doesn’t quite take away the initial achievement, the performances, and the sense that on some level, this show does justice to the bizarre, thrilling ascent of a band whose influence outstripped its talent by country miles.
  8. Reviewed by: Robert Ham
    May 26, 2022
    75
    Even with the occasionally eye-rolling moments of high minded hyperbole about what the Pistols means to its fans and the fate of England’s working class, it continues to compel with its rich period details, cheeky humor, and the music, which has lost none of its raw power after 45 years. No matter what it skims over or outright avoids, Pistol won’t leave any viewer feeling as though they’ve been cheated.
  9. Reviewed by: Chris Vognar
    May 26, 2022
    75
    “Pistol” conjures an aesthetic — chaotic, jittery, improvised — that nicely matches its subject. It also includes a number of female characters generally far saner than their male counterparts.
  10. Reviewed by: Daniel D'Addario
    May 31, 2022
    70
    Amid the chaos of the dance floor, the Sex Pistols yearn to obliterate themselves, each other and their listeners. Even if what’s around these moments doesn’t consistently work, “Pistol” nails the thrill of learning to disappear into sound.
  11. Reviewed by: Will Ashton
    Jun 1, 2022
    63
    Boyle’s full-throttle sensibilities wrestle against the moments of sentimentality and heavy-handed nods to the Sex Pistols’s most disreputable members. But Pistol is unapologetic and joyfully unabashed in its vulgarity, which makes a fitting tribute to a bunch of rabble-rousers who never shied away from making an impression.
User Score
6.8

Generally favorable reviews- based on 13 Ratings

User score distribution:
  1. Positive: 10 out of 13
  2. Negative: 1 out of 13
  1. Apr 20, 2023
    7
    (Mauro Lanari)
    Forget the grotesque irony of "Trainspotting" (1996) and its sequel (2017). Although Lydon appears for the first time on set
    (Mauro Lanari)
    Forget the grotesque irony of "Trainspotting" (1996) and its sequel (2017). Although Lydon appears for the first time on set with the "I Hate Pink Floyd" t-shirt (true fact), Boyle probes the dark side of the moon, of music, of existence, yet another generational, epochal, historical catastrophe. Lydon himself has harshly criticized the miniseries, but sooner or later reality comes out: "The Great Rock 'n' Roll Swindle". By losing the lawsuit against his former bandmates, the director was able to make use of their songs thus shooting the most similar thing to Stone's "The Doors" ('91). The biopic suffers from the narrative lengths of an episodic fiction and could have lasted 1/3, perhaps Chrissie Hynde is right when she tells of having had a single sexual relationship with Steve Jones, perhaps Siouxsie Sioux and Billy Idol were there or not: details. It matters that there is the irrepressible power of a group of guys who, precisely because they are unable to play and sing, have recorded only one album with which rock has been reset by bringing it back to its primitive and primordial chords and its lyrics as battle slogans. Stunning to hear the compositional quality they reached, impossible to calculate how many bands were born thanks to their influence, and unthinkable that they could be an exception to "Kill Your Idols".
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  2. Jun 2, 2022
    10
    So unique and raw. Great performances also, highlighting Anson Boon and Louis Partridge. Brilliant piece.
  3. May 21, 2023
    7
    Entertaining enough but it does play it rather safe, unlike the band and it's music.