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CRITIC SCORE DISTRIBUTION | ||
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Positive:
13
Mixed:
5
Negative:
1
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Critic Reviews
May 15, 2013
Season 1 Review:
The first new drama series ever produced by Home Box Office, Oz, is a powerhouse. It will probably push the quality standards for television drama as far as HBO's masterful Larry Sanders Show has expanded the parameters of TV comedy series. [9 July 1997, p.C01]
May 15, 2013
Season 1 Review:
In a stifling summer of same-old, same-old on the tube, HBO's Oz is a shock of ice water in the face, a kick in the stomach, an exciting, exhausting, horrifying, mesmerizing trip to hell, operating as the Oswald Maximum Security Prison...For adults who choose to go to hell and (not quite) back, Oz is just about as powerful as TV drama gets. [10 July 1997]
May 15, 2013
Season 1 Review:
For the most part, Oz is an awesome achievement - an alternately crude and elegant attempt to expand the boundaries of the one-hour drama. If it can avoid an over reliance on prison movie clichs, stay focused on the redemption theme and give its powerhouse cast more room to breathe, it could be one of the most important works ever aired on American television. [12 July 1997, p.29]
May 15, 2013
Season 1 Review:
During the first hour of Oz, you aren't likely to grin or chuckle at the shocking pain, cruelty, horror and hopelessness in "The Routine" -- unless you appreciate grim irony and twisted gallows humor. [11 July 1997, p.35]
May 15, 2013
Season 1 Review:
We're talking major-league adult content here - from unblinking strip searches, to human branding, to brutal violence and language that the broadcast networks have never even thought about airing. But that's only an alert, not a warning, because this drama series from tube auteur Tom Fontana ("Homicide," "St. Elsewhere") packs a dramatic wallop as potent as its frankness. [11 July 1997, p.B47]
May 15, 2013
Season 1 Review:
Engaging, sometimes brutal. [12 July 1997]
May 15, 2013
Season 1 Review:
Beyond the cursing, nudity and brutish behavior, Mr. Fontana makes the most of his opportunity by pushing TV's visual and storytelling limits.[12 July 1997, p.1C]
May 15, 2013
Season 1 Review:
It's as though Levinson and Fontana decided to throw everything onscreen that they're not allowed to show on broadcast television. But pushing the boundaries doesn't make Oz better or more realistic than "Homicide." If anything, it infringes on the storytelling. It's one thing to shock viewers for the sake of drama, quite another to frighten them into worrying about what visual affront to their senses will pop up next...If you can get past all that, Oz does tell some intensely interesting tales about life in a modern maximum-security prison, stories vastly different from the ones used in the average prison movie or cop show. [11 July 1997, p.47]
May 15, 2013
Season 1 Review:
If Fontana's goal is stark realism, it's undercut by the overly
theatrical device of a funky narrator, an inmate who uses a wheelchair
(Harold Perrineau) and who barks his thoughts into the camera.
A sample commentary: "People kill to stay alive. That's as true
in prison as out. But I'm wondering why in here we fight so hard
to stay alive." [11 July 1997, p.3D]
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