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The prevailing emphasis on Stede and Ed also creates an irregular pace that does a disservice to the supporting characters by first meandering and then sprinting through story lines involving them; a cliffhanger ending for seventh episode “Man on Fire,” the last one provided for review, probably would have had more impact if the crew drama leading up to it felt less abrupt.
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While that undercooked romance is still played for laughs in minor ways, we are now asked to care about it in a way that’s ruinous for the comedy. Darby, a talented comedian, and Waititi, who as a performer has charisma but not a lot of range, work hard but can’t bring much genuine feeling to a relationship that functioned better in cardboard form. The shift in focus also takes time and impact away from the rest of the very capable cast of regulars.
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It’s not so much that a rom-com can’t or shouldn’t be built around these two men, but that it so clearly prefers to look away from their inconvenient truths. The show’s initial outing at least offered a few comedic jabs in the direction of colonialism, but it was only willing to go so far. The new season doesn’t even bother. Instead, “Our Flag Means Death” erases this moral atrocity [slave owning] altogether.
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