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What eludes One of Us Is Lying is some special spark to set it apart from all the other murder mysteries and teen dramas out there — some subversion or deepening of the formulas it’s trafficking in, some jagged edges to break up all its slick competence.
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The show is a catalog of soap-opera conceits that borrow not just from “Melrose Place” or “Dawson’s Creek” but ’30s radio. ... We know exactly what it’s doing and where it’s going. The conclusion will be a surprise, one assumes. But the getting there is, as they might say in French class, déjà vu.