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“Not Dead Yet” is only mildly amusing, not laugh-out-loud funny.
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Not Yet Dead does have a heartbeat, but for the first few episodes it’s nearly impossible to find. The proceedings, based on Alexandra Potter’s Confessions of a Forty-Something F**k Up, feel tonally confused at best and ridiculous at worst. ... Near the end of Episode 4, however, the series veers into new, far more appealing territory. A surprise turn of events suddenly cracks open a window, allowing some light and sincerity to shine in.
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A solid idea that would benefit from a narrower focus in the early going.
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If “Not Dead Yet” dares to get more personal with Nell — and it takes a major step in Episode 5 — the series could improve, especially if the cast chemistry starts to feel more organic than forced, as it often does early in a series. “Not Dead Yet” is not dead yet, but as of now it doesn’t have much of a pulse.
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A new sitcom with a wildly promising cast is doing something interesting, something with actual potential … but that in order to get to that potential, you have to sit through at least three or four episodes I’d (generously) call unamusingly generic and unsteady of tone.
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Finding a way toward helping us know Nell as more than just the charmingly portrayed object of ghostly interest might begin to kick-start this vaguely promising but poorly executed sitcom.