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CRITIC SCORE DISTRIBUTION | ||
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Positive:
11
Mixed:
31
Negative:
6
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Critic Reviews
LooperMay 22, 2025
The TimesMay 21, 2025
Season 2 Review:
The pacing, at times, can also feel as glacial as the setting. Still, as Masha, Kidman skilfully navigates a fine line between predator and victim, a manipulator who is also vulnerable. .... The reveals coming via the slow unsheathing of the strangers’ emotional carapaces that transforms at least some of them from formula to flesh.
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RogerEbert.comMay 20, 2025
The GuardianAug 18, 2021
Season 1 Review:
The plot is just chewy enough for its eight-hour length, and the emotional stakes are reassuringly low. In a world of increasingly appalling, fast-moving headlines, it may be the perfect time to release a drama that doesn’t move like a whirlwind nor feel too convincing.
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Season 2 Review:
This efficient, if somewhat rushed, five-episode limited series also wants to get serious about heavy subjects, and the two tones don’t just clash but magnetically repel one another into different dimensions. I appreciate the effort to make characters and their relationships complex, but it can play out like a parade of dissociative identity disorders.
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Season 1 Review:
The series, as it cycles through satire, horror, and prestige psychodrama, can’t quite decide whether the wellness industry is a virulent scam or a desperately needed curative for broken souls. ... Nine Perfect Strangers connects only occasionally with its characters as human beings.
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Season 1 Review:
"Nine Perfect Strangers" is a clumsy star-driven project that, scene to scene, is never quite sure what it is. ... Hopefully there's an answer tucked into the final episodes, which were not provided for review. Whether or not you care enough to stick around that long, that's another story.
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Season 1 Review:
Kelley and the "Nine" writers struggle to fit everything they want to say and do into the episodes. Clunky exposition, hazy flashbacks, excessive nudity and drug-induced drama do not make up for a lack of confidence and clarity in storytelling. And despite the best efforts of the cast, particularly Cannavale, Boone and Jacinto, the dialogue often falls flat in their mouths.
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Season 1 Review:
The show’s emotional epiphanies and dark twists are meant to really mean something. But it all tumbles out of the actors’ mouths in predetermined paragraphs, ones that speak to pain and regret and loss in broad generalizations. ... There is detail there, jumping off the pages of a pitch document. But in the execution, everything gets flattened into a bland statement about angry Americans whose modernity, self-involvement, and defensive crouches have alienated them from their true selves.
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Season 1 Review:
It’s certainly watchable — with that ensemble and such an alluring setting (it takes place in California but was filmed in bucolic Byron Bay in New South Wales, Australia), watchability is practically guaranteed. But somehow the show manages to feel too contrived and too thinly conceived at the same time.
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Season 1 Review:
Though the show’s tone veers dramatically depending on who is at the center of a scene, the individual performances are fun and lively enough to frequently cover up how hollow the whole endeavor feels. But Masha is a big problem. ... She is meant to be a mystery with a human being underneath, but only the former part comes across, which becomes frustrating the longer it takes to establish what Masha really wants.
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Season 1 Review:
It’s a surprisingly wobbly, not-good performance from a great actress in a beautifully photographed and occasionally entertaining but mostly ridiculous and off-putting melodrama from some of the same folks (series co-developer David E. Kelley and author Liane Moriarty) who gave us “Big Little Lies.”
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The GuardianMay 21, 2025
Season 2 Review:
In the absence of any satirical intent (there is no White Lotus-ish commentary on the gullibility or self-indulgence of the rich, or the sprawling grift that is the wellness industry, which even the first season mustered from time to time), it feels just too insubstantial to be worth eight hours of anyone’s time.
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The TelegraphAug 19, 2021
Season 1 Review:
It could all have been so much better. The ensemble cast is great. ... But in episode two, nothing happens, and the show carries on this way. Only six of the eight episodes were made available for review, so perhaps the last two are a triumph. By that point, though, you’ll most likely have checked out.
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RogerEbert.comAug 18, 2021
Season 1 Review:
The series has a dangerously low amount of stakes, as it slogs between so many different storylines that just hold the series’ curious evolution back. ... The story is tediously more driven by star power than it is narrative, and while that set-up has some hold, it doesn’t make large chunks particularly memorable, or tense. ... Their characters are of course flawed but don’t seem all that nuanced beyond a secret that eventually comes out.
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Season 1 Review:
The protocol is one of the few story elements that provide any tension. ... Masha is one of the [Kidman]’s more flamboyant incarnations, and one of the wackier, but it can generate only so much fascination in a story intent on inducing disbelief and disengagement. ... One character asks another, having just enjoyed an audience with Masha. “Suffering,” comes the response. Viewers should take heed.
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Season 1 Review:
The cast of Nine Perfect Strangers is too good for the limited series to ever be unwatchable. But after seeing six of eight hour-long episodes, I’m pretty sure the biggest mystery has nothing to do with any of the damaged characters; it’s whether anybody involved realized that, by virtue of sheer bad timing, the thematically anemic show would inevitably be reduced to White Lotus for Dummies. ... It doesn’t help that the performances feel like they’re coming from at least a half-dozen different shows.
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