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Like all mothers on TV dramas, Angela starts out annoying. That means we can probably count on her to say something wise at just the moment we least expect it. In the end, though, this is Thorne's show, and she carries the lead well. Now the writers and Dr. Donna have to find enough interesting places she can go.
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If plot is incidental to your enjoyment of a show--and especially if you're already a fan of Ms. Thorne's all-in acting style--then Necessary Roughness offers OK entertainment.
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Basic cable is known for carving out niche audiences, but it's hard to imagine this "Friday Night Lights Shrink" will score with many.
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My heart tells me that any show that revolves around an honest-to-goodness native of Commack deserves an A+. My head tells me this one deserves a C.
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The problem with Roughness is that the characters and their interactions ring totally, ridiculously false--which is kind of funny, because unlike those other shows [Covert Affairs or White Collar], this one was inspired by a true story.
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[Thorne's] a likable, charming actress, surrounded by a bunch of familiar, appealing performers (Cohen in particular is someone I've liked a long time, even if the business hasn't known quite what to do with him), and I think there's potential in this idea. But the execution and/or the network aren't right for the idea.
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Thorne has the right bristling, combative energy for all this commotion, but the pilot is hard to swallow. [4 Jul 2011, p.38]
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Thorne's performance occasionally threatens to rise above this mess. But it's tough to overcome a narrative opening line that goes like this: "My dad used to say life is like a football game. There's winners and there's losers."
Awards & Rankings
User score distribution:
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Positive: 11 out of 27
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Mixed: 11 out of 27
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Negative: 5 out of 27
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Jul 9, 2011
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Sep 8, 2011
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Jan 14, 2016