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CRITIC SCORE DISTRIBUTION | ||
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Positive:
18
Mixed:
13
Negative:
3
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Critic Reviews
TV Guide MagazineOct 14, 2019
Season 1 Review:
Modern Love is an irresistible confection of perfectly cast, sensitively written and utterly enjoyable short stories that belie their brevity with deep emotion. [14-27 Oct 2019, p.10]
TV Guide MagazineAug 12, 2021
Season 2 Review:
Exceptionally well-cast and admirably diverse series. ... I hated running out of new episodes. More, please. [16-29 Aug 2021, p.4]
Season 1 Review:
Among the standouts are “Take Me As I Am, Whoever I Am,” a fine showcase for Anne Hathaway. ... Also good are Tina Fey and John Slattery, who demonstrate instant chemistry despite playing a couple whose marriage has hit a trouble spot. ... Like the best of “Modern Love,” the [first] episode is funny, sweet, and heartfelt without being schmaltzy. At a time when conflict rages across the media, there’s something appealing about pulling up the comforter and falling into “Modern Love.”
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Season 1 Review:
Like many an anthology series, it is a bit uneven, sometimes corny and clunky, sometimes wonderfully sweet and sentimental. But when on top of its game, “Modern Love” produces some magically romantic results. The touching first episode is enchanting proof of that. ... Another superb entry stars Dev Patel.
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Uncle BarkyOct 18, 2019
Season 1 Review:
Despite its varying trials and travails, Modern Love strives for an overall feel-good vibe that isn’t always entirely earned. For the most part, it’s gentle on the mind and soothing to the nerves in times when The New York Times front page is a steady drumbeat of downers.
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Season 1 Review:
It’s a pro job, though at times it feels professional in a Madison Avenue kind of way, as if you are being sold something, rather than told a story. Most feel minor, even when the subject is major, perhaps because they’re so faithful to spirit of the essays. I don’t mean that as a criticism. And I did choke up a few times.
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Season 1 Review:
Modern Love, when it works, provides the kind of soothing comfort supplied by an inviting armchair, a warm fire, or a mug of hot tea on a chilly night. It’s the TV equivalent of a hand-knit cardigan or an Instagrammable latte; a mood of transitory wistfulness appears to be the goal, not some chest-thumping artistic statement about Life.
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Season 1 Review:
If the stories can fall prey to “Wealthy Upper West Siders: They’re Just Like Us!” self-flattery, most of them are also sincere, thoughtful, and generous of spirit in a way that typifies Carney’s work (see also Sing Street and Begin Again). Not every installment works(*) — the Horgan/Slattery/Fey one is disappointingly one-note (and one of several that would have done well to ditch the original Times headline as its title) — but enough of them hit that narrow but satisfying target of being sweet but not overly saccharine.
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