Critic Reviews
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TNT's new Memphis Beat has a great soundtrack and a pretty good cop drama in between.
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But even as the cop genre seems beyond saturation, along comes TNT's Memphis Beat, a series with a fresh character in a fresh environment with a fresh look and sound that proves, against all odds, that good actors and agile execution trump format every time.
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If you're looking for a new cop drama to serve and protect your entertainment interests, leave the rookies alone to ripen, and go for a ride-along with Jason Lee's Dwight. Blue suede shoes not required.
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While it sounds old hat, the who, what, when, where, why and how of this police procedural doesn't go the usual-suspects route. This show really keeps you guessing. And the soundtrack, by blues singer Keb'Mo, will keep you entranced.
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Memphis Blues has a similar feel to "The Closer" at the same stage. The secondary characters are not yet developed, and the show feels fairly pat. But it has the necessary ingredients for a lightweight, innocuous procedural.
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"Treme" and "Justified" are too slow even for Slow Television. Memphis Beat is easier to follow, and certainly more lively.
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A by-the-book cop show without much bite or heft. But it's got Memphis and Lee.
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The premiere feels sort of like "The Closer" but doesn't clinch the deal. I'm just not sure what to make of Jason Lee without his Jason Lee-ishness. But there's a crackle of eccentric touches, including an abundance of Elvis impersonators and the charmingly off-kilter Celia Weston as his mother.
Awards & Rankings
User score distribution:
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Positive: 81 out of 98
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Mixed: 7 out of 98
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Negative: 10 out of 98
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Feb 10, 2011
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Nov 11, 2010
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Sep 7, 2010