Critic Reviews
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Mayflies emerges as a fearlessly expressive poem about life, death and love, at once heartbreaking and uplifting. What a powerful drama to see out the old year.
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It was lyrical and profound, a two-hour meditation on male friendship and childhood bonds, which can sometimes prove as grand a passion as romantic love. It was also a study of what constitutes a "good" death and the importance of dignity in the midst of suffering.
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Mayflies is an affecting story of a friendship tested by end-of-life issues, with some fantastic performances from Compston, Curran and Jensen.
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This story of departures – from home, from life – couldn’t cast too gloomy a pall. It was also a warm, sentimental hymn to friendship with all its rites and reference points (De Niro, Dalglish, Aztec Camera).
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Anyone who has witnessed a loved one’s struggle for dignity and control amid the general rout of death, or been at a wedding where one of the couple is dying, will find the drama resonates.
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Anchored by Compston's thoughtful and big-hearted performance opposite Tony Curran, it was a beautifully raw portrait of male friendship and the struggle, which kicks in from middle age onwards, to come to terms with mortality.
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Tender, to a fault, Mayflies poignantly captures life's terminal evanescence.
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