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Critic Reviews
IndieWireOct 22, 2018
Season 3 Review:
Season 3 ends with plenty of reason to be intrigued by a potential Season 4, from the restoration of Matt, Foggy, and Karen’s partnership to the looming threat of Bullseye in full villain form. The show may never have the spark it did in its earliest days, but it did help elevate the way stories of superheroes can be told on television. There’s still progress to be made, but Daredevil”feels like it’s on the right track.
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IndieWireApr 13, 2015
Season 2 Review:
Daredevil is still strong in its sophomore outing, a muscular and visually mesmerizing series that continues to explore its gritty, intense corner of the MCU even as it tells its own stories and, crucially, builds characters complete and compelling enough to exist both within its boundaries and (if the Man Without Fear, the Punisher, or Elektra end up tapped for Infinity War) without them.
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The Daily BeastApr 10, 2015
Season 1 Review:
Some of the show’s episode-by-episode plot threads do come across as perfunctory filler. And Daredevil has a tendency to stretch out its conversational scenes to the point of enervation, especially with regard to Fisk’s attempts to romance an art gallery owner (played by Man of Steel’s Ayelet Zurer). However, the show makes up for those missteps with its clear and compelling voice.
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Season 1 Review:
It’s dark and gripping, smart and sure-footed, and takes itself and its audience seriously while avoiding either pretentious brooding or fanboy pandering. It’s also adventurous and different, in a way a show this good was always going to need to be.... Daredevil isn’t a perfect show, nor is it quite a great one, at least not yet.... But it’s startlingly good.
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RogerEbert.comApr 8, 2015
Season 1 Review:
The pulpy style and brutality (torture is one of Daredevil’s tools) clearly seek a higher sense of realism, which must be balanced against the notion of a blind superhero who can shimmy up walls and whose spectacularly hearing lets him to function, among other things, as a human lie detector. Helpfully, Cox brings the necessary mix of grit and Marvel-esque self-doubts to the dual role.
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Season 3 Review:
This corner of Hell’s Kitchen has provided thrills on a reliable basis, even when legions of faceless fighters cluttered up the screen, but thanks to a new creative team, they’re more than a welcome distraction. Matt’s body and will may have been broken by Defenders, but Daredevil’s third season is a return to form.
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Season 1 Review:
Daredevil's story does get a bit repetitive at times, but is broken up by an increasingly broad swath of subplots.... Though [show creator] Goddard never lets the cynicism of this world override the joy and wonder of Daredevil, it's clear that he's spoiling for a good fight.
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Season 2 Review:
The return of an old girlfriend, Elektra (Elodie Yung), gives us what may be an important glimpse into Matt's past, but also adds a second character who's more colorful (if more annoying) than Daredevil. Happily, the seven episodes I've seen also deal with Matt's daytime life and the struggling law firm he's running with his friend Foggy Nelson (Elden Henson) and their peerless (and fearless) assistant, Karen Page (Deborah Ann Woll, True Blood), two characters I might watch even if they didn't hang out with a tortured hero.
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Season 2 Review:
Punisher and Elektra make it hard for Matt and Daredevil to operate and both Bernthal and Yung spend a lot of the first half of the season upstaging Cox, who has to capture a struggle that's internal, while his scene partners are playing things that are very external. And the two new additions are so vivid that there's a challenge to remain wholly invested in plotlines that don't involve them, which is tough for Foggy and, in particular, Karen.... But Daredevil still has its brooding, punchy pieces in place for a promising second season.
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Season 1 Review:
So much about Marvel’s Daredevil works exactly the way it’s intended, including the pace of the action and the extent and style of the gore. What still doesn’t work--what almost never works where the name Marvel and live-action film/TV meet--is the hammy dialogue, especially when characters express their feelings to one another.
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Season 2 Review:
Daredevil” isn’t only mindlessly violent, but mindless, too. The cast is terrific, production values superlative and direction first-rate.... But is there a functioning brain, or at least a higher purpose, maybe a deeper one? Like Matt’s own search for meaning, good luck finding answers.
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Season 2 Review:
Every now and then, there will be a great moment, like the aforementioned Punisher monologue, or Henson's Foggy calming down a violent situation, but on the whole it's too unfocused to entirely work, and has to lean even more than before on the inherent charisma of its actors.
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Season 2 Review:
Mr. Cox and Elden Hanson, as Foggy, do earnestness well and put across the sometimes dopey dialogue better than you’d have a right to expect. There’s not, however, a lot of wit or shading to their performances--the writing can be blamed, but they could be doing more to amplify it, to make the show more fun. For that, we can turn to Deborah Ann Woll, who jolts the show to life every time she appears as Karen.
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Season 1 Review:
The series gets off to a slow start, parceling out bits of the title character’s origin story over flashbacks in the first two episodes, and taking its time to introduce the supporting cast. But once Vincent D’Onofrio appears onscreen as Wilson Fisk, the dapper crime-boss villain known in the Marvel comic books as Kingpin, things pick up considerably, and Fisk turns out to be an even more fascinating and complex character than the protagonist.
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Season 3 Review:
The first and best of the Marvel-Netflix series, Daredevil returns for its third season having contracted the same affliction that has plagued encores of its brethren: a sluggish, plodding pace that arduously advances the story. Despite marquee villains new and old, the Man Without Fear thus risks becoming the Series That Induces Sleep.
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Season 1 Review:
While we get an origin story, it’s not drawn out, and right from the start, Murdock is fighting crime. The fighting is particularly well-staged.... The dialogue, however, could use some of that snap. The exchanges between Matt, Foggy, and Karen aim for the sort of brisk funniness that was a hallmark of shows these producers have worked on, including Buffy and Angel, but it’s mostly strained stuff. Actually, the purely plot-driven lines are more amusing.
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Season 2 Review:
The second season of Daredevil compounds the failures of the first.... The Season 2 introduction of the Punisher (Jon Bernthal), a brutal vigilante inspired by Daredevil, could have had real charge if it didn't just feel like a trailer for Bernthal's own stand-alone series. Eventually, something's going to have to justify Daredevil's tonal excesses. Until then, we're left fumbling in the dark.
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