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Critic Reviews
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All in all, Marlon's a satisfying throwback to '90s-era family sitcoms--just as long as you ignore the YouTube references. [18/25 Aug 2017, p.98]
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[Wayans] shouldn’t have to work this hard, but that’s the funny thing about comedy. When the material’s this light, somebody has to do some heavy lifting.
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Wayans’ performance is so outsized that it’s impossible to take him seriously; it’s like his character absorbs conflict, taking discord out of commission the way a bodyguard takes a stray bullet. Marlon is a steadfastly more comforting show--but it is less interesting, too.
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Except for its familiarity, not necessarily a liability in TV comedy, there's nothing wrong with Marlon except its dated joke-punchline structure, deafening audience laughter and the tendency of the cast to shout all the dialogue.
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The comedy doesn’t take off as it might have were it not trying too hard to be a family comedy.
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Although Marlon may not come close in quality and sophistication to, say, “Modern Family,” or even “The Middle,” it’s modestly enjoyable and a smart move on NBC’s part.
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Mostly Marlon is a lot of mugging and shouting by the star, with the rest of the cast reduced to a collective straight man. As somebody once said, a hundred times in half an hour, oh, hell no.
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Don’t expect to take any ha-ha showers. Marlon isn’t up to that task either. Instead it over-blows everything in service to a star who doesn’t know how or when to stop.
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Athough Wayans has fewer limitations as a performer, he'd have been wise to realize something similar and not leave his TV family as such an afterthought. As impressive as Wayans' skillset is, Marlon is too much Marlon.
User score distribution:
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Positive: 10 out of 21
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Mixed: 3 out of 21
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Negative: 8 out of 21
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Aug 16, 2017
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Aug 18, 2017