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There’s an artfulness to Rosenfeldt’s killers, and that’s what makes his stories compelling, even if they’re ridiculously improbable. Seeing how Rosenfeldt can keep everything moving cohesively is almost as much fun as the story itself.
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Friel's winning performance keeps each scene feeling fresh. [1 Jul 2016]
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Marcella starts off well, but pretty soon its pace is impeded by a number of subplots and the abrupt introductions of characters whose role in the overall plot is either unclear or irrelevant. The series has a familiar enough cop-show structure, so if you like Friel’s performance, you’ll be carried pretty far along into the season.
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Marcella is portrayed as both an excellent detective and a basket case in a way that doesn’t add up (despite the past traumas that are introduced as explanations), and her blackouts feel like plot devices, there just to keep things mysterious. After the season finale, you may find yourself just as much in the dark as Marcella.
User score distribution:
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Positive: 19 out of 29
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Mixed: 5 out of 29
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Negative: 5 out of 29
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Jul 13, 2016
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Jul 12, 2016
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Jul 6, 2016