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For fashion junkies, and for people who find Naomi Campbell's shade as life-giving as chlorophyll, Making the Cut is catnip. Just don't look for anything revolutionary. It sticks to a formula, and that's fine. The formula works for a reason.
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Making the Cut and Next in Fashion aren’t exact clones, but their differences from Runway do seem reverse-engineered to avoid too much overlap. ... The show tries to make the most of Tim and Heidi, who couldn’t have come cheap, with silly but inoffensive skits where they visit local tourist destinations.
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Mass consumption doesn’t make for the most eye-catching fashion, and it doesn’t even make for particularly engaging reality television. Not that “Making the Cut” isn’t enjoyable enough, if only because its rules and paces are readily digestible to an audience that’s long familiar with the formulas that drive the genre. It’s easy to watch.
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Klum and Gunn remain eager guides for a show whose ambition is laudable. But, too often, from its premise to its lost and confusing judging process, “Making the Cut” feels — ironically enough for a show focused on design within reach — inaccessible.
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Some of the designers really do seem like talents who just needed to step into the spotlight. But given those ingredients, it should emerge as something far more lively than the flat, lethargic show it manages to muster.