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Critic Reviews
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A sharply written, acted and directed start that will hook fans immediately.
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Major Crimes has the makings of a very sturdy reboot outfitted with a built-in philosophical debate over how justice is served. Supporting characters are newly invigorated, particularly Bailey's Provenza.
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As before there is a nice balance between social drama and personal business, the tragic and the comic, exaggeration and authenticity.
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The Closer may be moving on, but she's left the franchise in good hands.
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This handoff is clean.
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If you were a "Closer" fan, I'd like to make a case for giving her a chance, because otherwise, Major Crimes is a winner.
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Will the writing of the crimes continue to be as strong as it was on "The Closer"? I'm cautiously optimistic.
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In its first hour, at least, Major Crimes appears to be making a pretty seamless transition.
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Relying less on instinct and showy interrogations, Raydor commands her unit with a nice brusqueness, gathers clues, and solves cases with airtight logic. The primary problem with Major is its slow pace.
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What threatens to remain a drag is the format itself, with its weekly focus on plea bargains--and, so far, weekly speeches defending the new focus.
Awards & Rankings
User score distribution:
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Positive: 41 out of 56
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Mixed: 8 out of 56
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Negative: 7 out of 56
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Aug 14, 2012
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Sep 3, 2012
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Aug 16, 2012