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Critic Reviews
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Love Life' is pretty good show that has fine performances, starting with an Emmy-worthy turn from Anna Kendrick.
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Just when a viewer thinks the show is mainly frosting with little to no cake, “Love Life” steers into far more substantial and surprising territory. By the middle episodes, Darby hits some real road bumps. ... Say what you must about Kendrick’s trademark cutesiness, it’s her acting chops that really pay off here. ... “Love Life” evolves into a serious rumination on self-awareness.
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Endearing even when she's being aggravating, Kendrick lets us in on Darby's deep-rooted insecurities. [25 May - 7 Jun 2020, p.2]
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Love Life manages to wrestle some piquant insights out of its limited constraints. The writing is keen to the subtle pleasures and indignities of sex and love, the frustrations that arise out of regular problems rather than the outsized absolutes so often created for TV. ... Kendrick is more compelling in the serious moments than she is with the funny stuff, as is true of the show on the whole.
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No matter which way you slice it, it’s evident from the first seven episodes I was able to screen the team behind and in front of the Love Life cameras is a shrewd one keen to freshen up a very familiar premise.
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Creator Sam Boyd has given us a female protagonist who is not only very familiar, she seems to be living by a set of rules that are distressingly outdated. ... Love Life is at its best when it examines how Darby's non-romantic connections influence her approach to finding a significant other.
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“Love Life” lacks the HBO edge but it’s still the HBOiest of HBO Max’s early offerings, even as the characterization of Kendrick’s Darby is closer to Ally McBeal than Lena Dunham’s Hannah on “Girls.”
Awards & Rankings
User score distribution:
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Positive: 5 out of 13
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Mixed: 4 out of 13
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Negative: 4 out of 13
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Jan 6, 2021
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Jun 13, 2020