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CRITIC SCORE DISTRIBUTION | ||
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Positive:
27
Mixed:
6
Negative:
0
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Critic Reviews
Season 1 Review:
Looking doesn't make the mistake of arguing that gay men are just like straight women, or straight men, or gay women, or even each other. Instead it tells the story of three guys who are friends in a strangely wonderful and difficult time and what that looks like. To them.
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Zap2it (Inside the Box)Jan 21, 2014
Season 1 Review:
There's nothing formally or dramatically groundbreaking about it, except for its "no big deal" attitude. But that in itself is striking. It should be counted as progress. That Looking doesn't seem to be terribly concerned with words like progress should count as progress, too.
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Season 1 Review:
[Looking was] filmed entirely in the Bay Area, which is a big part of why the story rings so true. The other parts are the delicately detailed direction by Haigh and the pitch-perfect performances of the cast. All of these elements work together to present a convincing, multidimensional portrayal not only of contemporary gay life but also of contemporary life in general.
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Season 1 Review:
The show makes an admirable effort at transcending gayness without compromising it. Groff is fine but not fascinating as the naive yet manipulative Patrick, and Alvarez gives Agustin a certain bohemian flair. The real standout--and best-realized character so far--is Bartlett’s Dom. Actually, the more I think about it, the show’s real standout is San Francisco itself.
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Season 1 Review:
Looking carries with it the potential to pick up the baton from something like Travis Mathews's explicit I Want Your Love, another gay short that was later expanded (in this case, into a feature film), but time will tell if it can't look beyond those hypnotic treasure trails.
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Season 2 Review:
[The balance between love and sex in the gay world] is a valuable and promising theme, more than worthy as a foundation for a show about contemporary gay life, but it needs to be explored through better writing and deeper character development, and without the predictable cliches that rattle like Muni’s F line through the six episodes of Looking that were sent to critics.
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