User Score
Generally favorable reviews- based on 94 Ratings
User score distribution:
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Positive: 58 out of 94
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Mixed: 14 out of 94
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Negative: 22 out of 94
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User Reviews
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May 28, 2016
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Aug 9, 2016I saw a couple of review saying this remind them to Arrested Development (which I love) and the true is that after 10 min I didn't want to keep watching.
The first bit was funny after that it just went no where with really bad jokes, a couple of smart moment, it definitely have something interesting but it's not for everyone. -
May 22, 2016It is very stream of consciousness which is, inherently, very jumpy and jarring. It doesn't help that it jumps out of the show and into "real life" randomly. Some might really like this, but it's definitely not for everyone, including me. That being said, if you're already a fan of Maria Bamford's comedy, I'm sure you'll enjoy this.
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May 30, 2016If it's Maria Bamford, it has to be funny and it is sometimes. I think she just took some missteps in direction for the sake of wackiness like when they break the fourth wall and the show goes meta. Many characters are shuffled around in all different places. Everybody is zany or loony. I think it's pretty funny but its too complicated for it's own good.
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May 22, 2016
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May 30, 2016I can't tell if I like this show or if I find it annoying, but I've watched about 5 episodes and I'd watch more just to see where it's going. I don't really understand what it's supposed to be but I find Maria Bamford quite intriguing. Even though I only laugh a few times an episode I'm drawn in by how strange it is.
Awards & Rankings
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I didn’t laugh very frequently watching Lady Dynamite, but I was never less than absorbed by it.
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With the confidence of a show that knows exactly what it wants to be--and with the titanic Bamford anchoring every scene with incredible empathy and generosity, Lady Dynamite manages to stand out amid the constantly churning fray of television by being entirely, proudly itself.
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It is cheerful, dark, surreal, profane, aspirational, meta-fictional and packed with people playing versions of themselves or other people entirely (or playing versions of themselves playing other people entirely); it plays with visual and verbal puns, with moods and acting styles and moves around in time and dimension. And while these are elements of many modern comedies--it owes something to "It's Garry Shandling's Show," "Curb Your Enthusiasm," "30 Rock," "The Sarah Silverman Program," Hurwitz's "Arrested Development" and the cracked spirit of Adult Swim--I have never seen them assembled in quite this way, or with quite so much gusto.