- Network: History , The History Channel
- Series Premiere Date: Dec 6, 2017
Season #: 2, 1
User Score
Mixed or average reviews- based on 64 Ratings
User score distribution:
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Positive: 30 out of 64
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Mixed: 14 out of 64
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Negative: 20 out of 64
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User Reviews
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Jan 2, 2018
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Dec 26, 2017
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Jan 14, 2018
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Dec 20, 2017
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Jan 11, 2018
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Dec 9, 2017Overall- episode 1, the set piece of any opening game proves instead to be mediocre, trite, naive, underdeveloped, unsophisticated and lack lustre.
If Game of Thrones, Vikings and the like represent the pinnacle of fine dining for viewers, then this hotly anticipated production is a bag of crisps. -
Dec 13, 2017Where to begin, it had a too clean fairy tale look to it, with unbelievable circumstances. The things I hated about this show is too long to list, so I will say, godawful, or maybe better, God, awful.
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Mar 8, 2018I am most unimpressed with the series to date having watched the first 6 episodes. The script is wafer thin, the acting, mediocre, and the plot and scenes beggar belief when it comes to plausibility. I am left wondering at every turn "but surely, in real life.......". Frankly I wouldn't recommend this to anyone with an eye for detail & continuity.
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Aug 6, 2018I’m sorry to say this series does nothing for me. A boring script, and a boring story. I don’t know why they would want to make another series.
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Mar 16, 2019The show has great atmosphere and its good to look at but the characters and story were laughably bad. The trailer for season 2 leaves me hopeful for the future of the show but as of yet its not worth a watch.
Awards & Rankings
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In piecing together the why and how of the Templars’ decline showrunner Dominic Minghella and his writing team lazily paste together a collage of conceits familiar to any sword and/or sorcery fan--and many of those films did a better job at selling such a story.
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The shots are perfunctory, designed to give us just enough information to keep following the story and nothing more. The performances are fine, but they rarely rise above BBC historical reenactment. The scripts are so wrapped up in explaining how everybody’s connected to everybody else that they become exhausting.
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Ambitious in its scale, but hamstrung by its conventions, Knightfall often confuses violence and brutality for visceral authenticity.