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Kirstie breaks no new ground, and it doesn’t try to. It walks a path we have enjoyed before.
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Kirstie, with Ms. Alley mugging through her role as a kindhearted narcissist, is more like the Ford Focus. If it’s late and it’s all the rental company has left, you might as well take it.... Rhea Perlman is funny as Thelma, but the real revelation of Kirstie is Michael Richards as the shady chauffeur, Frank.
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Alley, Perlman and Richards were far more gainfully employed on their previous classic comedy series. Now they’re in a sense doing dinner theater in Yuma but seemingly having a good time together nonetheless.
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The expected jokes about Botox, nose jobs, and Alley's weight abound and are executed with old-school shticky competence, like a middling '90s sitcom that never was. [6 Dec 2013, p.74]
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[The cast] throw themselves into Kirstie wholeheartedly, but it's hard not to feel that they're slumming.
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It’s difficult to escape the show’s plasticky veneer and misplaced exuberance.
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The comedy is predictable on every level, which is part of the TV Land formula.
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The pilot has some funny moments, but after that, Kirstie starts to flatline.
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The jokes, while occasionally funny, almost all feel reheated.
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If viewers are drawn to the familiar faces of the cast members individually (Alley has a number of celebrity friends set to appear this year) and are happy to see them back on TV, then the show is a late-evening diversion at best. At worst--and more likely--it might end up as another genre struck off from Alley's valiant list of big efforts to return to the small screen.
User score distribution:
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Positive: 8 out of 17
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Mixed: 4 out of 17
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Negative: 5 out of 17
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Dec 12, 2013
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May 4, 2014I love Kirstie Alley. She's absolutely hilarious and I'm so happy she has her own show! Needs better writing. But still funny!!!!!!!!!!!!!!!!!!!!!!!!!
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Apr 2, 2014