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While there’s not a bad performance in the bunch—Leung, Abela, Freya Mavor, and David Jonsson are particular standouts—the fine acting doesn’t render “Industry” appointment-viewing. There’s a frustrating and probably deliberate sameness to the first three episodes in particular; characters often repeat the same beats in new configurations again and again, which adds thematic richness while also making each episode feel a bit stale.
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It isn't just the sheer volume of mumbo-jumbo that's impenetrable. Down and Kay, in their first series as creators, rush through the hierarchy and structure at Pierpoint, leaving it for viewers to figure out the reporting structure. ... Maybe if the creators are able to give the context some real meaning, Industry will evolve beyond tawdry, infectious fun into something more HBO-appropriate, as opposed to "Too spicy for Freeform, not spicy enough for Starz." The upside feels like a YA version of Succession.
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The show is heavily reliant on the specifics of the financial world but, ironically, could be interchanged with any other stressful profession. More interested in exploring the rotating bedfellows of entry-level workers, “Industry” has little to actually say about the industry that it showcases.
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A show that could desperately use some more complex relationships, and maybe with time Industry will find them. Right now, though, it’s much lighter than its gray colors and fast-paced money yelling and intense stress suggests.
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All the pieces work fine — its gray and noisy world is fully realized and each character has a clearly defining schtick. But the show doesn’t appear to be about anything. Everyone is in favor of winning and opposed to losing, but there’s no meaningful motivation or specificity to any of their behaviors.
Awards & Rankings
User score distribution:
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Positive: 8 out of 15
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Mixed: 4 out of 15
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Negative: 3 out of 15
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Jan 16, 2021
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Nov 29, 2020
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Feb 4, 2021Surprised me very much. I don’t know why people aren’t talking about it more. The best season of tv this year. Amazing finale.