- Network: Channel 4 , AMC , AMC/Channel 4
- Series Premiere Date: Jun 28, 2015
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Critic Reviews
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The lines between human and artificial intelligence and empathy (or lack thereof) blur in fascinating and often devastating ways. [13-26 Feb 2017, p.19]
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Humans, which is plate-spinning a number of compelling character-development stories in addition to the big-picture themes, is a series that is primed for a larger audience as it improves on its already impressively complex and nuanced story. A welcome return.
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Humans has delivered a second season that demonstrates a full, imaginative expansion of its narrative.
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Humans is a less ambitious production than “Westworld.” But its more pedestrian nature--it’s domestic drama merged with a sci-fi thriller--also makes it more emotionally effective.
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It avoids the present contemporary clichés of dystopias or apocalyptic landscapes, opting instead for something quieter. It might be too slow or too dry for some viewers--and the story may take some unnatural turns-- but like some of the best science-fiction out there, the patience of the attentive audience is rewarded.
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Humans may lack the visual pizazz or expressive symbolism to bring its bigger ideas into greater relief, but it’s becalmed yet thoughtful aesthetic actually works perfectly in tune with its subtext.
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The synth family of Mia (Gemma Chan) & Co. continues to drive the show's most interesting aspects, while the nonrobot Hawkins clan drags the action to a halt. Perhaps it's time for a new title. [17 Feb 2017, p.54]
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A story demands that it be led by its most compelling characters, and in most cases, that means the oppressed, not the oppressors. Humans can be intriguing, even enthralling. But it’s always held back by its title.
Awards & Rankings
User score distribution:
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Positive: 40 out of 58
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Mixed: 11 out of 58
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Negative: 7 out of 58
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Feb 13, 2017
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Nov 1, 2016