NBC | Release Date: January 31, 1993
CRITIC SCORE DISTRIBUTION
95
METASCORE
Universal acclaim based on 20 Critic Reviews
Positive:
20
Mixed:
0
Negative:
0
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100
Los Angeles TimesHoward RosenbergMay 12, 2013
Season 1 Review: A cops-and-crime hour reeking of atmosphere, wit and intelligence, an invigorating, essentially nonviolent series about homicide detectives that could be the "Hill Street Blues" of the '90s. [29 Jan 1993, p.F1]
100
Chicago Sun-TimesLon GrahnkeMay 12, 2013
Season 1 Review: The quality of talent in front of the camera matches the high standards behind the scenes. As a cop ensemble, the Homicide squad has the spice, dry wit and ethnic diversity of the "Hill Street Blues" crew, with even more eccentricities and a heightened sense of realism. Like the New York partners in "Law & Order," the Baltimore detectives grind it out with street-tested police procedures. [29 Jan 1993, p.55]
100
Boston GlobeEd SiegelMay 12, 2013
Season 1 Review: The best new network dramatic series since "Shannon's Deal" and "Twin Peaks" in 1990. [29 Jan 1993, p.21]
100
Houston ChronicleAnn HodgesMay 12, 2013
Season 1 Review: Homicide is a cop show of a different kind, a rare TV combination of writing to die for, brought to life from the pages of a bestseller, by a knockout ensemble cast, and the production smarts of one of Hollywood's hottest Oscar-winning filmmakers. [31 Jan 1993, p.3]
100
Boston HeraldMonica CollinsMay 12, 2013
Season 1 Review: Homicide is the best new television drama of the season. That's particularly surprising, considering it's yet another cop show. And even more surprising in that it's NBC - the loser network - which has come up with a winner teeming with unique characters, steaming with atmosphere and featuring writing as sharp as a stiletto. [31 Jan 1993, p.30]
100
Dallas Morning NewsEd BarkMay 12, 2013
Season 1 Review: Much of this is likely to go to waste, though. Homicide, possibly the best police series ever, may prove to be the biggest turnoff since Cop Rock. Imagine a series in which a cop walks up to a potential mugger and tells him, "Hey, we're police. Go rob somebody else." [31 Jan 1993, p.5C]
90
The Hollywood ReporterMiles BellerMay 12, 2013
Season 1 Review: It isn't as groundbreaking as it would have itself taken. However, in terms of presenting a strong portrayal of cop work out on the urban landscape, the project (inspired by David Simon's "Homicide: A Year on the Killing Streets") hits with compelling conviction. [29 Jan 1993]
90
VarietyJohn GoffMay 12, 2013
Season 1 Review: There's lots of good stuff to recommend Homicide. Performances are uniformly strong, above normal level of series work. It's a class act; all techs are superior, including excellent photography by Wayne Ewing and editing by Jay Rabinowitz. [29 Jan 1993]
90
Miami HeraldHal BoedekerMay 12, 2013
Season 1 Review: The thrill of Homicide comes in listening to some of the snappiest dialogue on television. David Mamet should admire Attanasio's lines. The show -- filmed in Baltimore -- looks good, but it sounds better. [30 Jan 1993, p.E1]
90
St. Louis Post-DispatchEric MinkMay 12, 2013
Season 1 Review: Homicide is fast-paced but reasonably easy to follow. It is fragmentary at times, but somehow cohesive. It's impressionistic in style, yet driven by plot, enlivened by gallows humor and inhabited by intriguing, amusing, startlingly natural characters...You can think of Homicide as "Hill Street Blues" with more grit and less econo-socio-poli-psycho babble; "Law & Order" without the "order" half; "Twin Peaks" with intelligence and discipline as well as style. "Diner" with cops. [31 Jan 1993, p.7C]
90
NewsdayMarvin KitmanMay 12, 2013
Season 1 Review: I love the characters, the actors, the spell they weave, the way of telling a story. By the second episode, I didn't want them to solve the case so it would go on and on. Homicide: Life on the Street is another stroll down heartbreak alley. [31 Jan 1993, p.21]
90
Orlando SentinelGreg DawsonMay 12, 2013
Season 1 Review: Even viewers who feel they've been copped and robbered to death by TV will find this highly juiced blend of bright writing and dark motif hard to turn off.[31 Jan 1993, p.D1]