|
CRITIC SCORE DISTRIBUTION | ||
|
Positive:
124
Mixed:
19
Negative:
0
|
Watch Now
Critic Reviews
Season 5 Review:
The Edward Snowden-inspired plot is the most compelling story line this season, which is packed with conspiratorial intrigue and complicated questions about political and journalistic ethics.... But the second that Carrie yields to her first fit of mania in years, pasting newspaper clippings all over her house and searching for connections between them--surely, there are computer programs now that allow people to do this without ruining their wallpaper!--it’s d.j. vu all over again.
Read full review
IndieWireJan 9, 2017
Season 6 Review:
It’s in these studious details that Homeland gains its veteran edge. By Season 6, we know these characters quite well. The extreme situations surrounding them force development and drama, but the writers know to craft seemingly innocuous dialogue that cuts deep or casually incorporate key details that come back in a big way.
Read full review
Season 3 Review:
There's a lot to like in these first two episodes: Dana and Jessica's scenes have greater psychological weight than before, thanks to Brody's absent presence, though they do raise the uncomfortable question of how interested we need to be now that the family isn't directly connected to the show's central institution anymore (the Betty Draper problem on Mad Men). The episodes also give us a clear, at times unnerving sense of how hard it must be for somebody as gifted but volatile as Carrie to work in such a button-down environment, and how easy it must be to write her off as merely unstable or merely crazy.
Read full review
Season 7 Review:
As the light of democracy dims, Carrie has become more manic (understandable), and Saul more resolute. The world has turned upside down, and only they can set it right. We know they’ll eventually save the presidency, hopefully the president, too. We know real news will eventually prevail over O’Keefe’s incendiary fake variety. We know all this, but we also suspect the ride would be a lot more fun if Peter was along for it.
Read full review
Season 1 Review:
[There's] a level of ambiguity executive producers Howard Gordon and Alex Gansa might not have gotten away with when they were writing for Kiefer Sutherland's Jack Bauer on "24," but it's part of what makes Homeland, adapted from an Israeli series created by Gideon Raff, one of the season's most intriguing dramas.
Read full review
Season 4 Review:
The first three hours of the new season that Showtime made available for review suggest Homeland is up for new challenges that move the show somewhat closer in tone to “24” while still maintaining a prestige sheen that it’s smarter, less formulaic and more believable than the Fox terrorism drama.
Read full review
Season 8 Review:
When she slips into operative mode with the ease of a worn-in suit have an extra level of tension to them: the world, dangerous as it is, is not what it was any more than she is the same woman she once was. ... She can also be cold and cruel and create stupendous debacles out of her bad decision-making. In that way, however, she's also the personification of what makes the series worth seeing to its end after nine long years, that the personal frames of mind from which a few people operate can end up determining whether million of people will live in peace or suffer under years of conflict.
Read full review
Season 5 Review:
Like the excellent fourth season of Homeland, season five suggests a politically wise and deeply skeptical update of John le Carré's very best spy-centric work, seeing the fury, confusion, and accepted hypocrisy of international diplomacy with the same clarity as the lies and duplicitous acts the show's characters indulge in on a regular basis.
Read full review
Season 3 Review:
Showing us the long-term impact of the attack on the lives of these characters, whose deep-seated motivations and fears have gradually been revealed to us over the last two seasons, allows Homeland to transcend its tendencies toward the hyperbolic and gives us a reason to suspend our disbelief.
Read full review
Season 5 Review:
Viewers will have to decide how much good faith the show earned with its redemptive fourth season as its fifth one crawls in the direction of a plot. If this is the season in which Homeland aims to resolve its own contradictions and to deliver to its tortured characters some measure of understanding or peace, it would benefit, as my colleague Willa Paskin has noted, from a little bit more crazy.
Read full review
Season 8 Review:
Danes and Patinkin are obviously tremendous at what they do here, but neither is being asked to do anything new or different or exciting. ... My favorite part of the new season, honestly, might have been reflecting on how, after this lengthy Homeland journey, the character who has gravitated up the call sheet by virtue of sheer survival has been Maury Sterling's Max, now given a meaty subplot.
Read full review
Season 7 Review:
The Homeland premiere captures the uncertain, unsteady mood of the nation, without any especially perceptive pieces of headline-ripping. ... Despite some outsized acting and the large implications of Keane's actions, on a narrative level the Homeland premiere is decidedly small.
Read full review
Season 5 Review:
Homeland works at a slower pace and the premiere mostly lets Carrie keep up the illusion that she'll be able to live a carefree life with strudel and a smile.... It's that third episode, in which Carrie realizes that past misdeeds are coming home to roost, that the shape of the season really takes effective form.
Read full review
Season 3 Review:
Bringing [Saul and Carrie] to the forefront and giving them a lot of scenes in the first two episodes has strengthened the series. The writing and acting in the first two episodes are exceptional. Let’s hope this continues, because it’s once again thrilling to watch this show.
Read full review
Season 4 Review:
There is a flatness to the supporting characters--Saul's wife and Carrie's sister are now garden-variety Prestige Cable nags--and a measured predictability to the overall story that drains too much tension from even the sight of a wig-free Corey Stoll. Yet Mandy Patinkin and F. Murray Abraham are still fantastic, the show still employs top-notch directors and Homeland can still rustle up an atmosphere of tense isolation when it needs to. All in all, many of the tin-eared elements would more or less tolerable if I were still intrigued by Carrie Mathison.
Read full review
Season 1 Review:
Homeland also manages to be both an addictive espionage thriller and a compelling character study, as well as a well-constructed exploration of the difficulties and ambiguities of fighting terrorism a decade after Sept. 11. Without a doubt, it is one of the finest new shows of the year.
Read full review
The IndependentFeb 18, 2020
Season 8 Review:
It’s well built. But all its life comes from Danes. Mathison’s troubled mind has always been a metaphor for government intelligence: brilliant but unreliable, vital but dangerous. Danes’ performance animates not only the scenes but the ones she is not in, too, and every time she’s out of shot you crave her return.
Read full review
Season 8 Review:
Homeland is about a lot of things, personal and geopolitical. But at its most powerful, the new season conjures that simple, sad feeling: My God, it’s been so long. All of this — the war, the fear, the vengeance. ... The first four episodes of the season have their wild plot lurches but also the gimlet eye for human nature of “Homeland” at its best. Danes gives us a Carrie who’s older and wiser but also wrenchingly aware of her own precariousness. And the show is conscious of the collateral damage of the great game.
Read full review
Season 7 Review:
Fans will be happy that this involves the resurfacing of Carrie’s spycraft, and it’s a pleasure in the season premiere to watch her pulling her gear out of hiding, or duck into a hotel room and put on a disguise--it’s like she’s getting back into her own skin. On the downside, it also means that she’s back to willfully endangering the people in her life, a trait that could be seen as a complexity of character but has always registered as an unpleasant distraction.
Read full review
Season 5 Review:
Those three central performances [Carrie (Claire Danes), Saul (Mandy Patinkin), and Quinn (Rupert Friend)], along with that of F. Murray Abraham as the C.I.A. sensei Dar Adal, still carry the show, though it’s starting to feel as if we’ve seen everything Ms. Danes has to offer as Carrie.
Read full review
Current TV Shows
By MetascoreBy User Score































