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CRITIC SCORE DISTRIBUTION | ||
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Positive:
44
Mixed:
12
Negative:
0
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Critic Reviews
ColliderMay 18, 2020
Season 2 Review:
Unless you’re a diehard Homecoming fan, Season 2 will probably disappoint. It’s not that Homecoming Season 2 isn’t as bingeable or well-acted or stylish as Season 1; it most definitely is all of these things. But after screening several episodes, it’s hard not to come away feeling like you’ve just watched what effectively amounts to a neat little epilogue rather than a continuation of the first season.
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The PlaylistOct 5, 2020
RogerEbert.comMay 21, 2020
Season 2 Review:
There are moments of greatness in those three and a half hours, most of them in the engaging performances of the cast. However, one can’t shake the large shadow of the first season. Less narratively ambitious in every way, season two feels like an echo of something that didn’t really need an echo.
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Season 2 Review:
Season 2 of the psychological thriller (streaming Friday in seven episodes) isn’t nearly as captivating or complex as its predecessor. Rather than advance the story significantly (or startlingly), it functions more as an afterthought or a predictable epilogue. And although it adheres to the spooky, paranoid style of the first iteration (minus Roberts’s character, and also minus Sam Esmail’s direction), it simply isn’t mysterious enough to satisfy. Its coolness has gone cold.
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Season 2 Review:
The show doesn’t come up with a credible way forward, instead stumbling through familiar story beats with less gusto. It resembles, perhaps, one of its own characters after undergoing the amnesia-inducing treatment at the show’s center — certain of where it is but unclear on why, familiar in appearance but emptied out of spark.
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Season 2 Review:
It all feels very rudimentary and thin, especially when the narrative could have become a real and complicated exploration of trauma, identity and the way traditional mental health resources are failing veterans. The whole series is an exercise in taking the potentially significant and rendering it incidental. ... The writing is spare, the directing bland, but at least there's pleasure in watching the actors.
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