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There is a gently sinister air, offset by dialogue that is funny without trying too hard to be so. It would be very easy to make this a dramedy in which many of these people were simple figures of fun, but Dominic Treadwell-Collins and Karen Cogan, who share writing duties, manage to convey real humanity.
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Holding’s slow pace let it down. Still, the hermetic intrigue of small-town secrets proved hard to resist.
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Even if Holding is something of a patchwork of different genres, it is usually able to reconcile its most important balance: between comedy and drama. The result is charming and unpretentious.
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When I eventually caught on to who was who and what was what, I found the whole thing quite charming.
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Holding tweaks the small-town murder formula a bit by giving the mystery to a middle-aged, out-of-shape cop who is self-medicating with food instead of booze or drugs. Between that tweak and the performances of the main characters, it makes for an enjoyable, lightly comedic mystery.
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There is nothing madly innovative here. ... Nevertheless, it neatly avoids cliche and Oirishness. It has genuine charm, which is to say it is suffused with wit, warmth and compassion.