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CRITIC SCORE DISTRIBUTION | ||
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Positive:
12
Mixed:
11
Negative:
1
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Critic Reviews
The GuardianDec 3, 2019
Season 1 Review:
The first episode ends with Hanna forcibly heading out into the wider world, albeit not in the way you might predict. After seeing brief flashes of her in action on her home turf – fast, efficient, crafty – the prospect of Hanna operating in a modern urban environment is tantalising enough to tune in for the full season.
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Feb 11, 2019
Season 1 Review:
It's really only in the third episode that Hanna begins to stake its own ground, but probably since that ground is oddly conventional, I can't review that episode, so as far as I can review it, Hanna is the movie told as an elongated TV narrative of 48-minute episodes that, oddly, doesn't give all that much more character expansion. ... At least Hanna has been cast very well.
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Mar 29, 2019
Season 1 Review:
For all of its various attempts to balance Eastern European espionage, half-hearted explorations of parenting and femininity, a youth drama, a father-daughter story, a pulse-pounding conspiracy thriller, a character study (though kudos to Mireille Enos for what she does with her Marissa) and the kind of pulp pleasure where a young girl can gun down an army without blinking, it never really finds a groove to settle into.
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Mar 29, 2019
Season 1 Review:
In the scenes when all three are engaged, stalking through European cities, joyriding helicopters, and shooting out genteel outdoor cafés, Hanna feels explosively good, the rare intelligent action thriller that subverts storytelling tropes and surfs on its own ingenuity. In other scenes, that ingenuity gets lost in a mood board of decorative visuals (light dappling through fabric, leaves dancing in the wind) that bloats the series’ running time and hobbles its pace, especially given that the central mystery is easy to decipher.
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