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For all of its ambition, the drama feels lopsided at times because Winfrey, Whitfield, David and Dandridge’s performances are so dominate and riveting, they dwarf everything else. In order to compel viewers to keep coming back, Wright and company will have to either focus solely on the big four--more Oprah, please--or flesh out the ancillary portrayals so that they’re more distinctive.
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A glossy guilty pleasure that aspires to be Empire with pews. [20-26 Jun 2016, p.17]
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Greenleaf is a big ol' soap opera. A pretty good soap, as a matter of fact, filled with more than its share of characters who are instantly unlikable.
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A soap that alternates between unartfully delivered exposition, provocative weirdness and real insight.
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The show is earnest--perhaps to a fault--but its hollow stakes have the tension of a wet blanket and its most interesting offerings in the way of gripping television, mainly centering on a few intriguing theological disputes, are far too fleeting.
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Wright has thrown everything into the mare’s nest of a plot you can think of--and the reason you can think of it is because most of it is pretty standard for nighttime soap operas. The one unexpected element, of course, is religion.
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The drama that surrounds them is fairly familiar and hardly religion-specific. Greenleaf World Ministries needs more of the details that would make this more than just another soap opera.
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