|
CRITIC SCORE DISTRIBUTION | ||
|
Positive:
22
Mixed:
22
Negative:
0
|
Critic Reviews
Radio TimesMay 12, 2026
RogerEbert.comMay 11, 2026
Season 3 Review:
While the limited scope and frequently rushed feel of “The Finale” is not likely the way anyone wanted to see the series’ final arc play out, “Good Omens” ultimately ends as it always was: A love story. It is imperfect, to be sure. But despite its flaws, this final installment still holds firm to the idea that love, in all its forms, is a radical act.
Read full review
Screen RantMay 11, 2026
Season 3 Review:
Good Omens season 3 is not a bad episode, per se. But it is one that needed more polish, and, most importantly, more time. The rushed story does make this final episode feel somewhat off-putting, since there was clearly much more that was meant to happen, alongside ideas that needed more development.
Read full review
The GuardianJul 28, 2023
Season 2 Review:
For season two there is no more book to dramatise, so the makers are free to play to series one’s strengths. Good Omens 2 is more the Tennant and Sheen Show than ever. .... The significance and mechanics of the story remain unclear as Hamm, previously one of the strongest supporting characters, now has to do his best with a basic affable-ignoramus role.
Read full review
Jul 28, 2023
Season 2 Review:
"Good Omens" doesn't quite achieve that level of sublimity in these new episodes, alas. A dearth of substance eventually depleted my willingness to invest in the broader mystery beyond wondering what adorable sight gags would be inspired by the next clue or divine/hellish development.
Read full review
Jul 28, 2023
Season 2 Review:
A mostly delightful little diversion with an amusingly irreverent tone. That’s not to say there was a pressing need for another season, only that it’s nice to have one with a show that, to borrow from the band that sang about sympathy for the Devil, really does have time on its side.
Read full review
RogerEbert.comJul 27, 2023
Season 2 Review:
It’s hard to imagine anyone enraptured by "Good Omens" being disappointed in the new adventures of their favorite angel and demon, especially as the show keeps up many quirky and bizarre happenings that made it such a success in the first place. Tennant and Sheen continue to be the reason to watch.
Read full review
Jul 26, 2023
Season 2 Review:
The series can get a bit bogged down in cosmology and plots involving its less-developed supporting cast, but it’s absolutely electrifying when David Tennant and Michael Sheen are sharing the screen together as a duo willing to break all the rules of the universe to help each other.
Read full review
Jul 26, 2023
Season 2 Review:
Be not afraid. I doubted that a second season of this show could work, or that it was even something any of us necessarily needed to see. But after basking in its soft, warm joy—a true rarity in our current bleak television landscape—I cannot deny that its existence feels like nothing so much as divine providence.
Read full review
Radio TimesJul 26, 2023
Season 2 Review:
It's hard to sense that Aziraphale and Crowley are ever truly in danger, unlike our last outing with them. But, instead, we're given deeper insight into our dysfunctional pair of heroes, a beautiful tale, and an ending that might ask more questions than it answers. In other words, ineffable. Just how we like it.
Read full review
The GuardianDec 4, 2019
Season 1 Review:
It doesn’t quite work, because it doesn’t quite disguise the fact that beneath the razzle-dazzle, every character apart from the main two is tissue-paper thin. This is particularly true of the female parts. ... When both Crowley and Aziraphale are offscreen, things fall flat. In fact, a distinct sense that everyone is just marking time until they come back creeps in.
Read full review
May 31, 2019
Season 1 Review:
With Gaiman at the helm, and with an ample amount of time to do the book’s nuances justice, Good Omens succeeds much better than any recent Gaiman (or Pratchett) adaptation in memory. But we’re still ultimately left with a screenplay that faithfully emphasizes Good Omens’ plot rather than its profundities or literary flourishes.
Read full review
May 31, 2019
Season 1 Review:
Good Omens is frivolous in tone to the point of being glib, while its recurring jokes recur so often that they run out their welcome (Crowley gets scenes scored to virtually every track in the Queen songbook, while Aziraphale’s story lines frequently feature his obsession with eating). What sets the series apart is the relationship between two polar opposites who end up realizing, as the best antagonists do, that they’re not that different after all.
Read full review
May 31, 2019
Season 1 Review:
Good Omens is at its best when it’s a Divine (Buddy) Comedy. Sheen and Tennant, wonderful actors unafraid to let out their inner cheeseball, have great chemistry and know how to sell a joke. ... Whenever the show departs from the two leads, however, the life seeps out of it.
Read full review
The Daily BeastMay 31, 2019
Season 1 Review:
Gaiman manages the not-inconsiderable feat of capturing his narrative’s race-against-the-clock propulsion, all while making plenty of time for an overstuffed cast of characters and numerous detours, rewinds, asides and demented flights of fancy. Good Omens boasts an assured sense of tone from the very start. ... Good Omens wouldn’t soar without its two leads, who are so perfectly (mis)matched that they immediately elevate the series to must-see status.
Read full review
May 31, 2019
Season 1 Review:
The script is, unsurprisingly, annunciation-grade, luminously funny and strikingly poignant—and considering the principal characters include angels, demons and witches, (and a tween Antichrist) it’s as human as they come. ... But as good as everything is, as good as everyone is, the locus of this translation’s magic is the to-perish-for chemistry between Michael Sheen’s angel Aziraphale and David Tennant’s demon Crowley.
Read full review
May 30, 2019
Season 1 Review:
Good Omens soars when it focuses on the buddy comedy between Aziraphale and Crowley, who are tasked with keeping mortals on the straight and narrow and luring them away from it, respectively, neglect their duties, either by aiding the first couple cast out from Eden, or by partaking of the many wonderful things humans have created. ... It’s when the series looks elsewhere for its drama and humor that it starts to falter.
Read full review
RogerEbert.comMay 30, 2019
Season 1 Review:
When Gaiman and Mackinnon return to those actors [Sheen and Tennant], the series becomes the compelling story of an unlikely friendship, a sort of undefined rom-com between two immortals with the end of the world as a quirky backdrop. That’s the “Good Omens” worth watching. The rest of it’s not bad—not world-ending, but not exactly heavenly, either.
Read full review
May 29, 2019
Season 1 Review:
Even though the major pieces are there — Aziraphale, Crowley, Satan, God, apocalypse — the minor bits aren’t magical enough on their own. It doesn’t quite pull together as a great, glorious, goofy Almighty plan. But it is still fun, and stylish, and it has enough of the book’s original quirky spark to feel worthwhile.
Read full review
IndieWireMay 28, 2019
Season 1 Review:
The six-episode limited series loses momentum as it goes, making the teased possibility of a sequel less and less appealing. Still, the comic pairing of Sheen and Tennant could carry a story all its own, if only their creators would leave them alone to their own devices.
Read full review
May 23, 2019
Season 1 Review:
It’s a lot, and sometimes the pace is more exhausting than bracing. At the same time, the show’s underlying ideas about tribalism and friendship are pretty commonplace. Still, Tennant and Sheen make an ideal buddy-comedy duo; their banter does justice to Gaiman (who adapted the novel and is an executive producer of the miniseries) and the late Pratchett’s witty prose.
Read full review
May 20, 2019
Season 1 Review:
Onscreen, this pairing — between a saintly being played by Michael Sheen and a fallen angel played by David Tennant, both seeking to save the world for their own reasons — is the best part of the new “Good Omens” limited series. But it’s not enough: This six-hour journey towards the end of time comes to feel grindingly slow by the end, more anticlimax than fight for Earth’s future. ... That it ends up saying so little feels like a missed opportunity.
Read full review
Current TV Shows
By MetascoreBy User Score