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CRITIC SCORE DISTRIBUTION | ||
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Positive:
22
Mixed:
22
Negative:
0
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Critic Reviews
Season 2 Review:
Be not afraid. I doubted that a second season of this show could work, or that it was even something any of us necessarily needed to see. But after basking in its soft, warm joy—a true rarity in our current bleak television landscape—I cannot deny that its existence feels like nothing so much as divine providence.
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Season 1 Review:
The script is, unsurprisingly, annunciation-grade, luminously funny and strikingly poignant—and considering the principal characters include angels, demons and witches, (and a tween Antichrist) it’s as human as they come. ... But as good as everything is, as good as everyone is, the locus of this translation’s magic is the to-perish-for chemistry between Michael Sheen’s angel Aziraphale and David Tennant’s demon Crowley.
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Radio TimesJul 26, 2023
Season 2 Review:
It's hard to sense that Aziraphale and Crowley are ever truly in danger, unlike our last outing with them. But, instead, we're given deeper insight into our dysfunctional pair of heroes, a beautiful tale, and an ending that might ask more questions than it answers. In other words, ineffable. Just how we like it.
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The Daily BeastMay 31, 2019
Season 1 Review:
Gaiman manages the not-inconsiderable feat of capturing his narrative’s race-against-the-clock propulsion, all while making plenty of time for an overstuffed cast of characters and numerous detours, rewinds, asides and demented flights of fancy. Good Omens boasts an assured sense of tone from the very start. ... Good Omens wouldn’t soar without its two leads, who are so perfectly (mis)matched that they immediately elevate the series to must-see status.
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Season 1 Review:
Good Omens soars when it focuses on the buddy comedy between Aziraphale and Crowley, who are tasked with keeping mortals on the straight and narrow and luring them away from it, respectively, neglect their duties, either by aiding the first couple cast out from Eden, or by partaking of the many wonderful things humans have created. ... It’s when the series looks elsewhere for its drama and humor that it starts to falter.
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RogerEbert.comMay 11, 2026
Season 3 Review:
While the limited scope and frequently rushed feel of “The Finale” is not likely the way anyone wanted to see the series’ final arc play out, “Good Omens” ultimately ends as it always was: A love story. It is imperfect, to be sure. But despite its flaws, this final installment still holds firm to the idea that love, in all its forms, is a radical act.
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Season 2 Review:
A mostly delightful little diversion with an amusingly irreverent tone. That’s not to say there was a pressing need for another season, only that it’s nice to have one with a show that, to borrow from the band that sang about sympathy for the Devil, really does have time on its side.
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Season 2 Review:
The series can get a bit bogged down in cosmology and plots involving its less-developed supporting cast, but it’s absolutely electrifying when David Tennant and Michael Sheen are sharing the screen together as a duo willing to break all the rules of the universe to help each other.
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Season 1 Review:
With Gaiman at the helm, and with an ample amount of time to do the book’s nuances justice, Good Omens succeeds much better than any recent Gaiman (or Pratchett) adaptation in memory. But we’re still ultimately left with a screenplay that faithfully emphasizes Good Omens’ plot rather than its profundities or literary flourishes.
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Season 1 Review:
Good Omens is frivolous in tone to the point of being glib, while its recurring jokes recur so often that they run out their welcome (Crowley gets scenes scored to virtually every track in the Queen songbook, while Aziraphale’s story lines frequently feature his obsession with eating). What sets the series apart is the relationship between two polar opposites who end up realizing, as the best antagonists do, that they’re not that different after all.
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RogerEbert.comMay 30, 2019
Season 1 Review:
When Gaiman and Mackinnon return to those actors [Sheen and Tennant], the series becomes the compelling story of an unlikely friendship, a sort of undefined rom-com between two immortals with the end of the world as a quirky backdrop. That’s the “Good Omens” worth watching. The rest of it’s not bad—not world-ending, but not exactly heavenly, either.
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Season 1 Review:
Even though the major pieces are there — Aziraphale, Crowley, Satan, God, apocalypse — the minor bits aren’t magical enough on their own. It doesn’t quite pull together as a great, glorious, goofy Almighty plan. But it is still fun, and stylish, and it has enough of the book’s original quirky spark to feel worthwhile.
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