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Giri / Haji is a smart series that rewards your attention (and a bit of a slow start as it builds) as a deeply satisfying story. Its ambiguous ending also somehow feels complete, because the shame part of the narrative has been addressed for everyone. Though it would be wonderful to spend more time in this world with a second season, there is a palpable and beautiful sense of healing that has ended this one.
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There is an artfulness to this drama -- the split screen, the surprise shift to cartoon animation -- that promises it won't be just another international crime tale. For its sake I hope Sharpe will be centre-stage.
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A professionally mounted and consistently engaging regurgitation of stock crime-fiction archetypes and entanglements, it’s a bilingual work (available now) less interested in reinvention than in solid, straightforward dramatic thrills. On that count, the series achieves its modest goals—and, thanks to a few unexpected flourishes, occasionally exceeds them.
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Apart from the novelty of seeing Japan’s capital unfetishised – this is a Tokyo where people live, work and manage the daily grind, not a neon-soaked fun palace or futuristic hellscape – and the odd animated interlude (created by the company behind Hey Duggee, fact fans), nothing here feels new or revelatory.
User score distribution:
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Positive: 24 out of 33
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Mixed: 4 out of 33
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Negative: 5 out of 33
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May 18, 2020This review contains spoilers, click full review link to view.
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Feb 13, 2020
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Jan 23, 2020