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CRITIC SCORE DISTRIBUTION | ||
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Positive:
47
Mixed:
7
Negative:
1
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Critic Reviews
TV Guide MagazineNov 17, 2016
Season 8 Review:
Effortlessly shifting gears from screwball whimsy to bittersweet romance to lacerating multigenerational family conflict, the new/old Gilmore Girls is almost ridiculously satisfying. [21 Nov 2016 - 4 Dec 2016, p.18]
Season 1 Review:
Gilmore Girls is a genuine gem in the making, a family-friendly hour burdened by neither trite cliche nor precocious pablum. It is as fresh and real as "Dawson's Creek" is stale and contrived. In the process, it re-energizes the 8 o'clock hour with a bracing burst of heart. [5 Oct 2000]
Season 8 Review:
Yet for every misstep, there’s a moment from Graham or Bledel that makes you laugh or breaks your heart, or that cuts through the cuteness to ring absolutely true. And even at its most exasperating (as with those infamous “final four words”), there is so much talent and charm on display, you’re likely to be in a forgiving mood.
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Season 1 Review:
Gilmore Girls is brimming with fine performances all around, but the keys, of course, are its two leads. The appealing Graham has endured her share of TV flops ("Townies," "MYOB" and "Conrad Bloom"), but now she appears to have the kind of material that will allow her comic talents to shine. Meanwhile, Bledel is a promising newcomer with an intriguing round face, expressive eyes and a gift for deadpan retorts. [5 Oct 2000, p.D01]
Season 1 Review:
At times tonight, The WB's new Gilmore Girls will be well worth watching, easily the most arresting show of the young season. At other moments, it will make you wince at its unrelenting cuteness, an overeager poseur trying hard to impress. Please be patient. Next week's episode tempers the sweet with a little more savory, achieving a charming balance that promises to fill our Thursday nights this fall with an achingly on-point homage to mother-daughter relationships. [5 Oct 2000, p.E1]
Season 8 Review:
A Year in the Life won’t necessarily convert new viewers—like any revival, it’s making a play for a loyal fanbase, which should be more than enough to justify Netflix’s investment in the show. But as a salvage attempt after Gilmore Girls’ original bittersweet ending, it feels wholly justified.
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Season 8 Review:
Did portions of our Netflix marathon leave me underwhelmed, confused, and in gastrointestinal distress? Yes. Was it all washed away by the moments that worked, either as nostalgia or story progression, and a satisfying final episode ending in those much-talked-about four words that I’m not allowed to reveal? Yes.
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Season 8 Review:
The ramifications of [Richard's] death drive all of the substantive storylines in the new episodes, storylines that mostly make up for all the obligatory reunion doohickies--endless, pointless cameos; the kitschy, cutesy antics of Stars Hollow, the most irritating faux–small town in all of fictional America; and Rory’s new boyfriend, Paul, who no one, including the audience, can be bothered to remember.
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Season 1 Review:
The comedy is diverting enough, but the poignant drama makes Gilmore Girls special. This series may not fit conventional expectations for family drama, but the show succeeds on that turf anyway. Isn't that what television desperately needs: more family programming? [5 Oct 2000, p.E1]
Season 8 Review:
The rapid-fire patter gets more room to breathe, all the better for cheeky asides or pointed repetitions. That’s good news for those who come for the witty repartee, and bad news for the Luke Daneses in the audience who dread set-pieces featuring elaborate festivals or Stars Hollow town meetings.
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Season 1 Review:
That's a lot of eccentricity for one hour, but Gilmore Girls
never loses its even, humorous keel or its unforced warmth.
There are clever lines, to be sure (Michel, ignoring Lorelai:
"To me, you are the teacher in the Charlie Brown cartoons"),
but they seldom turn nasty and never seem out of character. [5 Oct 2000, p.1D]
Season 8 Review:
“What’s there not to love about the town of Stars Hollow?” the song asks, in what is both a sincere question and, perhaps, a swipe at the place’s provincialism. While watching Gilmore Girls: A Year in the Life, you may find yourself asking the same thing, and you may conclude that there is still plenty to love. But you also may find yourself looking more critically at this Main Street, U.S.A., and more easily spotting some of the flaws that co-exist alongside its charms.
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Season 8 Review:
When it relies on the notable strengths of its core ensemble, it is television at its most warm and reassuring. ... [But] Everything Gilmore Girls tries to pack in--the wit, the whimsy, the pop-culture references, the family conflict, the perfectly calibrated insults, the set pieces that go on a bit too long--can feel pretty pummeling at a 90-minute running time. The show is sometimes too overstuffed for its own good.
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Season 8 Review:
The four-season structure actually creates some problems. At 90 minutes, the story tends to meander, providing lots of time for rat-a-tat banter (and references to things that weren't on the radar when the show signed off, like "Game of Thrones") but moving the plot along at a snail's pace.
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Season 8 Review:
It’s actually far from perfect. The revival has four 90-minute chapters, and it turns out that 42-minute episodes were the perfect amount of time before the famously sparkling dialogue and wacky plotlines start to drag--and characters’ flaws go from endearing to irritating. ... With extended time and producers’ creative freedom, it’s a veritable buffet of every “Gilmore” experience imaginable.
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Season 1 Review:
Works a little too hard to be everything to everyone. However, beyond the carefully calculated diversity of the pilot lies a pleasant and heartwarming series that may bridge the generation gap at the WB. It's still a chick show, but at least Gilmore Girls could attract women well past the N' Sync phase. [4 Oct 2000, p.7]
Season 1 Review:
One of those "almost" shows--almost funny, almost interesting and almost family-friendly. There is potential here, particularly in the mother-daughter relationship between 32-year-old Lorelai (Lauren Graham) and 16-year-old Rory (Alexis Bledel), who could develop a real bond if they'd stop zinging one-liners for a few minutes. And if they can't stop the quips, maybe they could just speak more slowly so the audience can understand what they're saying. [5 Oct 2000, p.C07]
Season 8 Review:
The story wanders into more than one expensive cul-de-sac and that far more attention seems to have been paid to finding something for a legion of returning actors to do than in forming a coherent narrative. The format--the equivalent of eight TV episodes in four seasonal chunks--doesn't serve the material very well, and makes bingeing less tempting than usual.
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